 | William Shakespeare - 1814 - 470 pages
...can make the stage a fleld. The troth is that the spectators are always in their senses, and ™o«' from the first act to the last, that the stage is only a stage, n« be in some place; but the different actions that complete *Itory may be m places very remote from... | |
 | Samuel Johnson - English literature - 1816 - 514 pages
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant . n. ii modulation. The... | |
 | Elegant extracts - 1816 - 1082 pages
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Samuel Johnson - English literature - 1816 - 492 pages
...brain that can make the stage a field. . The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture'and elegant . ii. H nlodulation. The... | |
 | William Shakespeare - 1817 - 350 pages
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...gesture and elegant modulation. The lines relate to gome action, and an action must be in some place ; but the different actions that complete a story... | |
 | Samuel Johnson - 1818 - 420 pages
...brain that can make the, stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage is only a stage, and that the players are only playerg. They came to hear a certain number of lines recited with just gesture and elegant modulation.... | |
 | John Mason Good - 1819 - 822 pages
...truth is, that the (judicious) spectators ore always in their senses, and Know, from the first ici to the last, that the stage is only a stage, and that the players are only players. They come to bear a certain number of tines recited with just gesture anil clegunt modulation. The lines relate... | |
 | Samuel Johnson, Arthur Murphy - English literature - 1820 - 450 pages
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant VOL. II. H modulation,... | |
 | William Shakespeare - 1821 - 676 pages
...brains that can make the stage a field. The truth is *, that the spectators are always in their senses, and know, from the first Act to the last, that the...certain number of lines recited with just gesture and elegapt modulation. The lines relate to some action, and an action must be in some place ; but the... | |
 | Samuel Johnson, Arthur Murphy - 1823 - 484 pages
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant voi,, ii, H modulation.... | |
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The truth is that the spectators are always in their senses and know from the first act to the last that the stage is only a stage and that the players are only players. 
