Landmarks in French Literature |
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Page 202
... critical sense . With the eighteenth century , however , a change came . The age was a critical age— an age of prose and common sense ; the rhetorical impulse faded away , to find ex- pression only in melodramatic tragedy and dull verse ...
... critical sense . With the eighteenth century , however , a change came . The age was a critical age— an age of prose and common sense ; the rhetorical impulse faded away , to find ex- pression only in melodramatic tragedy and dull verse ...
Page 204
... critical spirit of his predecessors has entirely vanished ; the re- ligion which they saw simply as a collection of theological dogmas , he envisioned as a living creed , arrayed in all the hues of poetry and imagination , and redolent ...
... critical spirit of his predecessors has entirely vanished ; the re- ligion which they saw simply as a collection of theological dogmas , he envisioned as a living creed , arrayed in all the hues of poetry and imagination , and redolent ...
Page 227
... critical insight into his own work is one of the most singular of his char- acteristics . He hardly seems to have known at all what he was about . He wrote fever- ishly , desperately , under the impulsion of irresistible genius . His ...
... critical insight into his own work is one of the most singular of his char- acteristics . He hardly seems to have known at all what he was about . He wrote fever- ishly , desperately , under the impulsion of irresistible genius . His ...
Page 231
... critical and intellectual power , he was a Romantic ; but he belonged to the future in his enormous love of prosaic detail , his mate- rialist cast of mind , and his preoccupation with actual facts . CHAPTER VII THE AGE OF CRITICISM ...
... critical and intellectual power , he was a Romantic ; but he belonged to the future in his enormous love of prosaic detail , his mate- rialist cast of mind , and his preoccupation with actual facts . CHAPTER VII THE AGE OF CRITICISM ...
Page 234
... critical at all . He saw that the critic's first duty was not to judge , but to understand ; and with this object he set himself to explore all the facts which could throw light on the temperament , the outlook , the ideals of his ...
... critical at all . He saw that the critic's first duty was not to judge , but to understand ; and with this object he set himself to explore all the facts which could throw light on the temperament , the outlook , the ideals of his ...
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Common terms and phrases
age of Louis artistic Balzac beauty Bossuet brilliant Bruyère Chansons Chansons de Geste character characteristic charm CHRÉTIEN DE TROYES civilisation classical complete Corneille critical detail Diderot doctrine dominating doubt drama eighteenth century elaborate English exquisite extraordinary fact feeling Flaubert Fontaine French literature genius human ideals imagination immense important infinitely influence intensity Jean de Meung language Les Misérables less letters Lettres Provinciales literary literature of France Louis XIV master melancholy ment Middle Ages mind modern Molière Molière's Montaigne Montesquieu movement nature ness never noble novels Paris Parnassiens Pascal passion perfect Philosophes play poems poet poetical poetry precisely produced profound prose qualities Rabelais Racine Racine's reader realise Renaissance rhetoric Romantic Rousseau Saint-Simon seems sense sentences Shakespeare soul spirit splendid splendour strange style subtle supreme things thought tion tradition tragedy triumph true truth vast verse Victor Hugo vision Voltaire Voltaire's whole words writers
Popular passages
Page 71 - Not mine own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Supposed as forfeit to a confined doom.
Page 60 - Quelle chimère est-ce donc que l'homme ? Quelle nouveauté, quel monstre, quel chaos, quel sujet de contradiction, quel prodige ! Juge de toutes choses, imbécile ver de terre; dépositaire du vrai, cloaque d'incertitude et d'erreur ; gloire et rebut de l'univers.
Page 129 - Les choses les plus souhaitées n'arrivent point ; ou , si elles arrivent, ce n'est ni dans le temps ni dans les circonstances où elles auraient fait un extrême plaisir.
Page 128 - L'on voit * certains animaux farouches , des mâles et des femelles, répandus par la campagne, noirs , livides, et tout brûlés du soleil, attachés à la terre qu'ils fouillent et qu'ils remuent avec une opiniâtreté invincible : ils ont comme une voix articulée ; et quand ils se lèvent sur leurs pieds , ils montrent une face humaine , et en effet ils sont des hommes.
Page 126 - ... a pris racine au milieu de ses tulipes et devant la Solitaire; il ouvre de grands yeux, il frotte ses mains, il se baisse, il la voit de plus près, il ne l'a jamais vue si belle, il a le cœur épanoui de joie; il la...
Page 60 - Nous sommes plaisants de nous reposer dans la société de nos semblables : misérables comme nous, impuissants comme nous, ils ne nous aideront pas; on mourra seul.
Page 118 - Jupin pour chaque état mit deux tables au monde : L'adroit, le vigilant, et le fort, sont assis A la première ; et les petits Mangent leur reste à la seconde.
Page 123 - Nous pardonnons souvent à ceux qui nous ennuient, mais nous ne pouvons pardonner à ceux que nous ennuyons.
Page 14 - ... n'ai jou que faire. Mais en infer voil jou aler, car en infer vont li bel clerc, et li bel cevalier qui sont mort as tornois et as rices gueres, et li...
Page 240 - Oui l'oeuvre sort plus belle D'une forme au travail Rebelle, Vers, marbre, onyx, émail!