a N presenting his Whims and Oddities to the Public, the Author desires to say a few words, which he It happens to most persons, in occasional lively moments, At a future time, the Press may be troubled with some It will be seen, from the illustrations of the present work, that the Inventor is no artist ;--in fact, he was never meant to draw”—any more than the tape-tied curtains mentioned by Mr Pope. Those who look at his deugns, with Ovid's Love of Art, will therefore be disappointed ;-his sketches are as rude and artless to other sketches, as Ingram's rustic manufacture to the polished chair. The designer is quite aware of their defects : but when Raphael has bestowed seven odd legs upon four Apostles, and Fuseli has stuck in a great goggle head without an owner ;-.when Michael Angelo has set on a foot the wrong way, and Hogarth has painted in defiance of all the laws of nat re and perspective, he does hope that his own little enormities may be forgiven—that his sketches may look interesting, like Lord Byron's Sleeper, 66 with all their errors.” Such as they are, the Author resigns his pen-and-ink fancies to the public eye. He has more designs in the wood ; and if the present sample should be relished, he will cut more, and come again, according to the proverb, with a New Series. . London, 1826. CONTENT S. MORAL REFLECTIONS ON THE CROSS OF ST PAUL'S, THE BALLAD OF SALLY BROWN AND BEN THE CARPENTER A COMPLAINT AGAINST GREATNESS, PAGE . . BIANCA'S DREAM : A VENETIAN STORY, MARY'S GHOST : A PATHETIC BALLAD, SALLY HOLT, AND THE DEATH OF JOHN HAYLOFT, TIM TURPIN: A PATHETIC BALLAD, . WHIMS AND ODDITIES. First Series. MORAL REFLECTIONS ON THE CROSS OF ST PAUL'S. I. and goes HE man that pays his per Women and men : The world is all beneath his ken, His eyes from the empyreal clouds II. Seen from these skies, |