Intractable, perverse, petulant, ungovernable, wayward, willful. Irritation, offense, pique, resentment.
College, university, school.
Completeness, completion.
Allusion, illusion, delusion.
Contemptible, contemptuous.
Aggravating, irritating, provoking, Clever, pleasant.
Apostrophe: rule for, 388; as figure of Brown, 343.
Argument: purpose of, 138; use of explanation in, 138; by stating ad- vantages and disadvantages, 139; by use of specific instances, 142; refu- tation or indirect, 148; differs from exposition, 326: clear thinking essen- tial, 329; by inference, 349; from cause, 352; from sign, 352; from example, 354; from analogy, 355; differs from persuasion, 363; with persuasion, 366. Argumentative themes, 72, 80, 84, 100, 105, 109, 116, 142, 144, 146, 149, 150, 165, 168, 169, 170, 329, 335, 339, 342, 350, 358, 362, 366, 369, 370, 372, 373, 375.
Arrangement: see coherence; in argu- ment, 350 ff.; summary of, 357. Attendant circumstances: argument from, 354.
Authority appeals to in argument,
Auxiliary verbs, 404. Ayton, 135.
Browning, 17, 198. Bryant, 46, 197, 210. Budgell, 137. Burke, 320. Burns, 212. Burroughs, 104, 142, 302, 356. Byron, 205.
Cable, 226. Camp, 125. Capitals, 381 ff. Cary, 211. Case, 392.
Cause and effect: development of paragraph by use of, 97; develop- ment of composition by use of, 168; use in exposition, 323; use in argu- ment, 352.
Cautions and suggestions: use of fig- ures of speech, 55; in debating, 149; use of pronouns, 396; use of adjec- tives, 401; use of verbs, 405; use of adverbs, 416; prepositions, 417. Character sketch, 24, 250, 281, 288. Choice of words: 22; adapted to
reader, 62, 124; as to meaning, 63; | Cooper, 47.
simple, 131.
Clark, 69, 101, 311.
Classification, 309.
Clauses: 420-422; restrictive and non- restrictive, 397.
Clearness, 11, 13, 14, 15, 24, 25, 26, 27, 30, 33, 35, 37, 42, 43, 45 ff., 51, 52, 58, 62, 64, 66, 67, 68, 73, 78, 81, 85, 89, 95, 100, 106, 124, 128, 129, 131, 132, 134, 142, 155, 231, 233, 297, 303, 319, 321.
Climax in narration, 18, 19, 271; in argument, 357; as figure of speech, 430.
Coherence: definition, 154; in outline, 157; in composition, 158, 160, 168; arrangement of details, 279; ar- rangement of facts in exposition, 300; aided by outline, 304; in argu- ment, 357; in sentences, 430. Coleridge, 198, 206, 212. Colon rules for, 386. Colton, 242.
Comma rules for, 383. Comparison: as an aid to formation of images, 53 ff.; development of a paragraph by, 95; definitions sup- plemented by, 131; as a method of developing a composition, 164; as an aid in establishing fundamental image, 224; as an aid to effective- ness in description, 242; use in exposition, 319; analogy, 355; of adjectives, 400; of adverbs, 416. Complete and incomplete verbs, 403. Composition: kinds of, 113; general principles of, 153. Conclusion, 23. Conjugation, 412. Conjunctions, 418-420. Connolly, 159.
Constructions: of nouns, 394; of per- sonal pronouns, 396; of relative pro- nouns, 398; of adjectives, 401. Contrast: development of a paragraph by, 95; development of a composi- tion by, 164; use in exposition, 319. Conversation, 36, 269, 273.
Copeland-Rideout, 266. Correction of themes, 22, 379.
Darwin, 333.
Dash: rules for, 387.
Debate: value of, 144; statement of question, 145; necessity of belief, 145; order of presentation, 146; cautions, 149.
Deductive reasoning: 336 ff.; errors of, 340.
Definition: by synonym, 129; by use of simpler words, 131; definitions to be supplemented, 131; first step in exposition, 304; logical, 305; diffi- culty in framing, 306; inexact, 307. Description: Chapter VIII (see also descriptive themes); defined, 219; effectiveness in, 240; classes of ob- jects frequently described-build- ings, 244; natural features, 245; sounds, 246; color, 248; animals, 248; plants, 249; persons, 250;—im- pression of, 252; impression as pur- pose of, 256; in narration, 287; general description, 132.
Descriptive themes, 51, 94, 105, 134, 135, 162, 170, 224, 231, 233, 235, 238, 240, 243, 245, 246, 247, 248, 249, 252, 262. Details: selection of, 25; paragraph developed by, 85; related in time- order, 86; related with reference to position in space, 89; used in general description, 132; in general narra- tion, 135; composition developed by giving details in time-order, 158; by giving details with reference to posi- tion in space, 159; selection of, af- fected by point of view, 226; selection of essential, 233; selection and sub- ordination of minor, 235; arrange- ment of, 238; in narration, 278; arrangement, 279; selection of facts in exposition, 298; exposition by use of, 321.
Diction, 40, 62, 63, 124 ff., 131, 423, 430, 434.
Discourse: forms of, 113; presupposes Fallacy, 341.
Emphasis: 154, 157; in sentences, 430. Enthymeme, 337. Epic, 214,
Equivalents: for nouns, 395; for ad- jectives, 402; for adverbs, 416. Essentials of expression, 13. Euphony, 31. Evidence, 342.
Examples: use in exposition, 318; argument from, 354 (see also spe- cific instances).
Exclamation mark: rule for, 386. Expediency: questions of, 140, 370. Experience: ideas gained from, Chap- ter I; relation to imagination, 29, 30; impressions limited to, 258. Exposition: Chapter X (see also ex- pository themes); purpose of, 291; importance of, 295; clear under- standing necessary, 297; of terms, 129, 304; of propositions, 314; by repetition, 316; by examples, 318; by comparison and contrast, 319; by obverse statements, 320; by de- tails, 321; by cause and effect, 323; by general description, 132; by general narration, 135; by use of specific instances, 142. Expository themes, 62, 64, 84, 86, 97, 100, 102, 105, 109, 116, 118, 122, 128, 132, 134, 138, 165, 169, 170, 292, 295, 296, 298, 299, 303, 308, 313, 315, 317, 318, 320, 323, 324. Expression: essentials of, 13.
Hawthorne, 45, 57, 83, 222, 224, 238. Henry, 367.
Higginson and Channing, 99. Hinman, 99.
History: writing of, 285. Hoar, 71.
Holland, 210, 211, 259, 262. Holmes, 65, 209, 212. Howells, 254, 255, 258. Hyperbole, 430.
Ideas: from experience, Chapter I; from imagination, Chapter II; from language, Chapter III; pleasure in expressing, 11; sources of, 11; ad- vantages of expressing ideas gained from experience, 12; from imagina- tion, 29; ideas from pictures, 37; acquired through language, 45. Images: making of, 45 ff.; complete and incomplete, 48; reproduction of, 51; other requirements to deter- mine meaning, 58; fundamental, 221; union with impression, 259.
« PreviousContinue » |