The Personality of Shakespeare: A Venture in Psychological MethodFirst of all, as the title indicates, I am concerned with exploring a method. This method derives from the theory of personality projection. It is quantitative in part, but its operation depends, as everything in science does, upon a human observer and assessor. With regard to the personality of Shakespeare, I should like to make it plain that I have not attempted to be comprehensive and final. I do not see how we can be comprehensive and final with regard to any personality. Here, in studying Shakespeare, I have been deliberately fragmentary, limiting myself to a mere handful of questions. In particular, I have not tried to analyze the plays as artistic wholes in their entire complexity, but have only traced out a few general characteristics and a few patterns, which I have called "themes," occurring in more than one play. My analysis has focused on the dramatis personae and their interrelations. - Preface. |
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... thought there might be some advantage in bringing into the arena of open debate , where no one who has ever read a Shakespearean play would feel ex- cluded , some of the problems which concern psychologists today . I know that there are ...
... thought there might be some advantage in bringing into the arena of open debate , where no one who has ever read a Shakespearean play would feel ex- cluded , some of the problems which concern psychologists today . I know that there are ...
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... thought and feeling within itself , and had no one peculiar bias , or exclusive excellence more than another . He was just like any other man , but that he was like all other men . He not only had in himself the germs of every faculty ...
... thought and feeling within itself , and had no one peculiar bias , or exclusive excellence more than another . He was just like any other man , but that he was like all other men . He not only had in himself the germs of every faculty ...
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... thoughts , and the others occupy him in their varying degrees . Their ordered arrangement reveals the ordered structure of his personal- ity . Some bundles of thought and emotion in him , which appear on the stage as the dramatis ...
... thoughts , and the others occupy him in their varying degrees . Their ordered arrangement reveals the ordered structure of his personal- ity . Some bundles of thought and emotion in him , which appear on the stage as the dramatis ...
Contents
PREFACE | 1 |
On Some Questions of Theory and Method | 15 |
AWEW Alls Well That Ends Well | 42 |
Copyright | |
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action actors analysis Antipholus Antonio appear Ariel average behavior Benedick betrayal Caliban Camillo cent character weights Charlotte Brontë child Claudio Cloten comedy complex conscious Coriolanus count curve Cymbeline daughter death dramatic dream Duke emotional evidence example fact Falstaff father Freud Gentlemen of Verona Gloucester Hamlet Henry Henry IV Hermione Hero human husband Iachimo Iago imagination Imogen interpretation introjected Juliet kill kind King Lear Leontes literary lover weight Macbeth male Mamillius Marlowe ment Midsummer Night's Dream mother murder nature object Oedipus complex Othello perhaps Pericles plays Polixenes Polonius possible Posthumus present problem Prospero Proteus psychoanalytic psychological psychologists queen regard relations relationship Romeo sexual Shake Shakespeare Shakespeare's personality soul speak speare speare's Speech Lines story Stratford Table Tempest thee theme theory thou Timon tion top character top-ranking character traits Troilus Vincentio wife William Shakespeare Winter's Tale