The Personality of Shakespeare: A Venture in Psychological MethodFirst of all, as the title indicates, I am concerned with exploring a method. This method derives from the theory of personality projection. It is quantitative in part, but its operation depends, as everything in science does, upon a human observer and assessor. With regard to the personality of Shakespeare, I should like to make it plain that I have not attempted to be comprehensive and final. I do not see how we can be comprehensive and final with regard to any personality. Here, in studying Shakespeare, I have been deliberately fragmentary, limiting myself to a mere handful of questions. In particular, I have not tried to analyze the plays as artistic wholes in their entire complexity, but have only traced out a few general characteristics and a few patterns, which I have called "themes," occurring in more than one play. My analysis has focused on the dramatis personae and their interrelations. - Preface. |
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Page 97
... nature of these characters suggested that some bisexuality of attitude ex- isted in him ? If the statement is taken as applying to the balance of male and female forces within the personality structure rather than as applying to the ...
... nature of these characters suggested that some bisexuality of attitude ex- isted in him ? If the statement is taken as applying to the balance of male and female forces within the personality structure rather than as applying to the ...
Page 103
... nature , as we have it in Cerimon of Pericles who restores Thaisa to life , and supremely in Prospero who governs the sea and the air as well as human beings . Cerimon speaks of himself thus : I hold it ever , Virtue and cunning were ...
... nature , as we have it in Cerimon of Pericles who restores Thaisa to life , and supremely in Prospero who governs the sea and the air as well as human beings . Cerimon speaks of himself thus : I hold it ever , Virtue and cunning were ...
Page 137
... nature of the other . The Falstaff of The Merry Wives of Windsor , as the critics never tire of pointing out , is ... natural person THEMES 137 TGV The Two Gentlemen of Verona TN Twelfth Night.
... nature of the other . The Falstaff of The Merry Wives of Windsor , as the critics never tire of pointing out , is ... natural person THEMES 137 TGV The Two Gentlemen of Verona TN Twelfth Night.
Contents
PREFACE | 1 |
On Some Questions of Theory and Method | 15 |
AWEW Alls Well That Ends Well | 42 |
Copyright | |
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action actors analysis Antipholus Antonio appear Ariel average behavior Benedick betrayal Caliban Camillo cent character weights Charlotte Brontë child Claudio Cloten comedy complex conscious Coriolanus count curve Cymbeline daughter death dramatic dream Duke emotional evidence example fact Falstaff father Freud Gentlemen of Verona Gloucester Hamlet Henry Henry IV Hermione Hero human husband Iachimo Iago imagination Imogen interpretation introjected Juliet kill kind King Lear Leontes literary lover weight Macbeth male Mamillius Marlowe ment Midsummer Night's Dream mother murder nature object Oedipus complex Othello perhaps Pericles plays Polixenes Polonius possible Posthumus present problem Prospero Proteus psychoanalytic psychological psychologists queen regard relations relationship Romeo sexual Shake Shakespeare Shakespeare's personality soul speak speare speare's Speech Lines story Stratford Table Tempest thee theme theory thou Timon tion top character top-ranking character traits Troilus Vincentio wife William Shakespeare Winter's Tale