The Personality of Shakespeare: A Venture in Psychological MethodFirst of all, as the title indicates, I am concerned with exploring a method. This method derives from the theory of personality projection. It is quantitative in part, but its operation depends, as everything in science does, upon a human observer and assessor. With regard to the personality of Shakespeare, I should like to make it plain that I have not attempted to be comprehensive and final. I do not see how we can be comprehensive and final with regard to any personality. Here, in studying Shakespeare, I have been deliberately fragmentary, limiting myself to a mere handful of questions. In particular, I have not tried to analyze the plays as artistic wholes in their entire complexity, but have only traced out a few general characteristics and a few patterns, which I have called "themes," occurring in more than one play. My analysis has focused on the dramatis personae and their interrelations. - Preface. |
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Page 30
A Venture in Psychological Method Harold Grier McCurdy. emotions and motives , gives us as much to tremble at as if he ... give the impression of being ani- mal menageries ; and some identification with animals is common among civilized ...
A Venture in Psychological Method Harold Grier McCurdy. emotions and motives , gives us as much to tremble at as if he ... give the impression of being ani- mal menageries ; and some identification with animals is common among civilized ...
Page 81
... give thrice so much land To any well - deserving friend ; But in the way of bargain , mark ye me , I'll cavil on the ninth part of a hair . ( I HIV , III , 1 , 137 ff . ) Such generosity as he may possess is guarded well by ...
... give thrice so much land To any well - deserving friend ; But in the way of bargain , mark ye me , I'll cavil on the ninth part of a hair . ( I HIV , III , 1 , 137 ff . ) Such generosity as he may possess is guarded well by ...
Page 188
... give the writer greater freedom to express what is most burningly near him ; the general dimensions being already solidly there and easily appreciated by his audience , he needs only to fill in where he likes and add the touches which give ...
... give the writer greater freedom to express what is most burningly near him ; the general dimensions being already solidly there and easily appreciated by his audience , he needs only to fill in where he likes and add the touches which give ...
Contents
PREFACE | 1 |
On Some Questions of Theory and Method | 15 |
AWEW Alls Well That Ends Well | 42 |
Copyright | |
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action actors analysis Antipholus Antonio appear Ariel average behavior Benedick betrayal Caliban Camillo cent character weights Charlotte Brontë child Claudio Cloten comedy complex conscious Coriolanus count curve Cymbeline daughter death dramatic dream Duke emotional evidence example fact Falstaff father Freud Gentlemen of Verona Gloucester Hamlet Henry Henry IV Hermione Hero human husband Iachimo Iago imagination Imogen interpretation introjected Juliet kill kind King Lear Leontes literary lover weight Macbeth male Mamillius Marlowe ment Midsummer Night's Dream mother murder nature object Oedipus complex Othello perhaps Pericles plays Polixenes Polonius possible Posthumus present problem Prospero Proteus psychoanalytic psychological psychologists queen regard relations relationship Romeo sexual Shake Shakespeare Shakespeare's personality soul speak speare speare's Speech Lines story Stratford Table Tempest thee theme theory thou Timon tion top character top-ranking character traits Troilus Vincentio wife William Shakespeare Winter's Tale