The Personality of Shakespeare: A Venture in Psychological MethodFirst of all, as the title indicates, I am concerned with exploring a method. This method derives from the theory of personality projection. It is quantitative in part, but its operation depends, as everything in science does, upon a human observer and assessor. With regard to the personality of Shakespeare, I should like to make it plain that I have not attempted to be comprehensive and final. I do not see how we can be comprehensive and final with regard to any personality. Here, in studying Shakespeare, I have been deliberately fragmentary, limiting myself to a mere handful of questions. In particular, I have not tried to analyze the plays as artistic wholes in their entire complexity, but have only traced out a few general characteristics and a few patterns, which I have called "themes," occurring in more than one play. My analysis has focused on the dramatis personae and their interrelations. - Preface. |
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Page 10
... dream , which he called " the royal road to the Unconscious , " 21 Freud developed his elaborate personality theory , in which , to put the matter very simply , the human individual is seen as an unstable balance of forces , designated ...
... dream , which he called " the royal road to the Unconscious , " 21 Freud developed his elaborate personality theory , in which , to put the matter very simply , the human individual is seen as an unstable balance of forces , designated ...
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... dream . Out of the information thus emerging , which is emotionally bound together rather than merely random , the specific personal meaning of the details of the dream and their combined purport may be determined ( by a synthesis of ...
... dream . Out of the information thus emerging , which is emotionally bound together rather than merely random , the specific personal meaning of the details of the dream and their combined purport may be determined ( by a synthesis of ...
Page 12
... dream's total struc- ture as significant ; he preferred to break it up into parts and to ex- amine each of these parts in isolation . Not the drama of the mani- fest dream , but the latent dream , interested him — the underlying ...
... dream's total struc- ture as significant ; he preferred to break it up into parts and to ex- amine each of these parts in isolation . Not the drama of the mani- fest dream , but the latent dream , interested him — the underlying ...
Contents
PREFACE | 1 |
On Some Questions of Theory and Method | 15 |
AWEW Alls Well That Ends Well | 42 |
Copyright | |
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action actors analysis Antipholus Antonio appear Ariel average behavior Benedick betrayal Caliban Camillo cent character weights Charlotte Brontë child Claudio Cloten comedy complex conscious Coriolanus count curve Cymbeline daughter death dramatic dream Duke emotional evidence example fact Falstaff father Freud Gentlemen of Verona Gloucester Hamlet Henry Henry IV Hermione Hero human husband Iachimo Iago imagination Imogen interpretation introjected Juliet kill kind King Lear Leontes literary lover weight Macbeth male Mamillius Marlowe ment Midsummer Night's Dream mother murder nature object Oedipus complex Othello perhaps Pericles plays Polixenes Polonius possible Posthumus present problem Prospero Proteus psychoanalytic psychological psychologists queen regard relations relationship Romeo sexual Shake Shakespeare Shakespeare's personality soul speak speare speare's Speech Lines story Stratford Table Tempest thee theme theory thou Timon tion top character top-ranking character traits Troilus Vincentio wife William Shakespeare Winter's Tale