The Personality of Shakespeare: A Venture in Psychological MethodFirst of all, as the title indicates, I am concerned with exploring a method. This method derives from the theory of personality projection. It is quantitative in part, but its operation depends, as everything in science does, upon a human observer and assessor. With regard to the personality of Shakespeare, I should like to make it plain that I have not attempted to be comprehensive and final. I do not see how we can be comprehensive and final with regard to any personality. Here, in studying Shakespeare, I have been deliberately fragmentary, limiting myself to a mere handful of questions. In particular, I have not tried to analyze the plays as artistic wholes in their entire complexity, but have only traced out a few general characteristics and a few patterns, which I have called "themes," occurring in more than one play. My analysis has focused on the dramatis personae and their interrelations. - Preface. |
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Page 149
... prince are , indeed , the raison d'ĂȘtre of both installments of Henry IV . The prince is under a cloud , and he has to demonstrate to his father and the world at large that he is not what he seems , but the very glory of his royal house ...
... prince are , indeed , the raison d'ĂȘtre of both installments of Henry IV . The prince is under a cloud , and he has to demonstrate to his father and the world at large that he is not what he seems , but the very glory of his royal house ...
Page 150
... prince's behavior with that of himself and Harry Percy , who energetically pursues military honors ; and to all this the prince eloquently re- plies that he will redeem his name by killing the northern hero , whenever This gallant ...
... prince's behavior with that of himself and Harry Percy , who energetically pursues military honors ; and to all this the prince eloquently re- plies that he will redeem his name by killing the northern hero , whenever This gallant ...
Page 151
... prince is shown again in the company of his disreputable companions , endeavoring to hide under forced merri- ment the sorrow he feels because the king is ill . The conversation with Poins is very odd : Prince . Marry , I tell thee , it ...
... prince is shown again in the company of his disreputable companions , endeavoring to hide under forced merri- ment the sorrow he feels because the king is ill . The conversation with Poins is very odd : Prince . Marry , I tell thee , it ...
Contents
PREFACE | 1 |
On Some Questions of Theory and Method | 15 |
AWEW Alls Well That Ends Well | 42 |
Copyright | |
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action actors analysis Antipholus Antonio appear Ariel average behavior Benedick betrayal Caliban Camillo cent character weights Charlotte Brontë child Claudio Cloten comedy complex conscious Coriolanus count curve Cymbeline daughter death dramatic dream Duke emotional evidence example fact Falstaff father Freud Gentlemen of Verona Gloucester Hamlet Henry Henry IV Hermione Hero human husband Iachimo Iago imagination Imogen interpretation introjected Juliet kill kind King Lear Leontes literary lover weight Macbeth male Mamillius Marlowe ment Midsummer Night's Dream mother murder nature object Oedipus complex Othello perhaps Pericles plays Polixenes Polonius possible Posthumus present problem Prospero Proteus psychoanalytic psychological psychologists queen regard relations relationship Romeo sexual Shake Shakespeare Shakespeare's personality soul speak speare speare's Speech Lines story Stratford Table Tempest thee theme theory thou Timon tion top character top-ranking character traits Troilus Vincentio wife William Shakespeare Winter's Tale