Architectural Theory, The Vitruvian Fallacy: A History of the Categories in Architectural PhilosophyThe two volumes of Architectural Theory bring together the fundamental elements of architecture and present them in a new and accessible format. The books define the areas of knowledge necessary for successful design and criticism and, for the first time in the history of architectural literature, integrate all the concepts to form a balanced and comprehensive whole. Volume One, A History of the Categories in Architecture and Philosophy, establishes the framework of architectural theory. The author presents a systematic analysis of what constitutes 'good' architecture in the West, tracing the history of architectural theory through the metaphysics of ancient Greece, the doctrines of early and medieval Christianity, up to the concepts and 'categories' of modern philosophy. The twentieth century has seen more building and more analysis of building than any other. Volume Two, Principles of Twentieth-century Architectural Theory Arranged by Category, focuses on the recent fragmentation of architectural theory into distinct doctrines. Formalism, minimalism, mannerism, functionalism, rationalism, brutalism, positivism, romanticism, expressionism, classicism, constructivism, organicism, modernism, futurism, radicalism, deconstructivism, historicism, post-modernism - each movement has influenced the shape of architectural thinking over the last century. Principles of Twentieth-century Architectural Theory Arranged by Category analyses each in turn and places each in context. The volumes are liberally illustrated with representative buildings of the period and include a glossary of terms, a thesaurus, an annotated guide to further reading as well as diagrammatic links connecting themes across both volumes. The two volumes, whether studied together or individually, will prove invaluable to students of architecture and related disciplines. |
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Page 108
... mind which contemplates them ; and each mind perceives a different beauty " 58 He distinguished between Impressions which entered the mind through the internal senses , and Ideas , fainter copies of these , which were able to be ...
... mind which contemplates them ; and each mind perceives a different beauty " 58 He distinguished between Impressions which entered the mind through the internal senses , and Ideas , fainter copies of these , which were able to be ...
Page 148
... mind apprehensible to sense must rise to such anthropomorphism , for it is only in body that mind is adequately manifest to the senses . ' nses . " 184 There was an undercurrent of pantheism that passed from Shaftesbury to the German ...
... mind apprehensible to sense must rise to such anthropomorphism , for it is only in body that mind is adequately manifest to the senses . ' nses . " 184 There was an undercurrent of pantheism that passed from Shaftesbury to the German ...
Page 173
... MIND AND MATTER The idealist conclusion that if “ all reality lies in relations " 74 then real existence depends on the existence of a universal mind , as Green asserted in 1874 , was vigorously denied by Peirce and James . The ...
... MIND AND MATTER The idealist conclusion that if “ all reality lies in relations " 74 then real existence depends on the existence of a universal mind , as Green asserted in 1874 , was vigorously denied by Peirce and James . The ...
Contents
Vitruvian Categories | 19 |
CATEGORIES IN PHILOSOPHY AND LITERATURE | 35 |
Mediaeval Categories | 61 |
Copyright | |
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aesthetics Alberti analogy Aquinas architectural theory Aristotle Aristotle Ethics Aristotle Metaphysics Aristotle's aspects Augustine beauty building Causality cause Cicero Classical colour communication compared concepts construction Delight described developed discussed Disjunction distinction divine Duns Scotus eighteenth century elements Encyclopédie example feeling Figure function Gothic Greek Hegel human Hume Ibid ideas imagination imitation Inherence Inigo Jones introduced J. S. Mill Judgement Kant Kant's knowledge linked logical London meaning mediaeval mind nature nineteenth century notion object Op.cit ornament Oxford Palladio Peirce perception Philebus philosophy Physics Plato Plato Laws Plato Republic pleasure Plotinus poetry predicate primary categories principles Proclus proportion propriety Quality Quantity reason relation Richard of St Romanticism Ruskin saying Scholasticism Schopenhauer secondary categories seen sense soul Spirit structure style substance symbolism things thought Trinity truth understand unity Venustas virtue Vitruvian Vitruvian categories Vitruvius Wisdom wrote