The Writings of John Burroughs: Literary values and other papersHoughton, Mifflin, & Company, 1902 - Natural history |
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Page 8
... mind is not somnolent or stagnant ; the style is specific and direct- no be- numbing effects of vague and featureless generaliza- tions . The thoughts move , they make a current , and the reader quickly yields himself to it . How soon ...
... mind is not somnolent or stagnant ; the style is specific and direct- no be- numbing effects of vague and featureless generaliza- tions . The thoughts move , they make a current , and the reader quickly yields himself to it . How soon ...
Page 10
... mind . Will the definition or description bear turning around upon itself ? Is it a good sample of literary art ? The exactness and literalness of science are seldom permissible in literature . That a definition of anything may have ...
... mind . Will the definition or description bear turning around upon itself ? Is it a good sample of literary art ? The exactness and literalness of science are seldom permissible in literature . That a definition of anything may have ...
Page 13
... mind ; his rela- tion to it is primary and personal , not secondary and mechanical . The secret is not in any prescribed arrangement of the words - it is in the quality of mind or spirit that warms the words and shines through them . A ...
... mind ; his rela- tion to it is primary and personal , not secondary and mechanical . The secret is not in any prescribed arrangement of the words - it is in the quality of mind or spirit that warms the words and shines through them . A ...
Page 14
... mind a certain flavor imparted to words by the personality back of them . Pass language through one mind and it is tasteless and colorless ; pass it through another , and it acquires an entirely new value and signifi- cance and gives us ...
... mind a certain flavor imparted to words by the personality back of them . Pass language through one mind and it is tasteless and colorless ; pass it through another , and it acquires an entirely new value and signifi- cance and gives us ...
Page 15
... minds and feelings . A counter - statement may be equally true . The struggle for existence goes on in the ideal world as well as in the real . The strong- est mind , the fittest statement , survives for the time being . That a system ...
... minds and feelings . A counter - statement may be equally true . The struggle for existence goes on in the ideal world as well as in the real . The strong- est mind , the fittest statement , survives for the time being . That a system ...
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The Writings of John Burroughs. Birds and Poets with Other Papers John Burroughs No preview available - 2017 |
Common terms and phrases
æsthetic analogy aristocratic Arnold artist beauty better birds Brunetière Carlyle character charm cism common conscious criticism democracy democratic disinterested doubt elements eloquence Emerson emotions excellence experience fact fancy feel Ferdinand Brunetière flavor Frederic Harrison French fresh genius George Eliot GILBERT WHITE give Goethe happiness Henry James human ideal ideas imagination intellectual interest Jane Austen judgment kind language less liter literary value literature live Madame de Staël man's matter Matthew Arnold mind moral nature never one's past phrase pleasure poem poet poetic poetry probably prose Protestantism pure re-read reader reason religion religious Sainte-Beuve says Schopenhauer seek seems sense sentences Shakespeare soul speak spirit style suggestive taste Tennyson things thought tion touch trees true truth ture Victor Hugo vital Whitman whole words Wordsworth writer youth
Popular passages
Page 67 - Consider the lilies of the field; they toil not, neither do they spin: yet Solomon in all his glory was not arrayed like one of these.
Page 66 - I will not have in my writing any elegance or effect or originality to hang in the way between me and the rest like curtains. I will have nothing hang in the way not the richest curtains. What I tell I tell for precisely what it is.
Page 194 - Nothing is secure but life, transition, the energizing spirit. No love can be bound by oath or covenant to secure it against a higher love. No truth so sublime but it may be trivial to-morrow in the light of new thoughts. People wish to be settled; only as far as they are unsettled is there any hope for them.
Page 6 - But to speak in literature with the perfect rectitude and insouciance of the movements of animals and the unimpeachableness of the sentiment of trees in the woods and grass by the roadside is the flawless triumph of art.
Page 167 - Thy voice is heard thro' rolling drums, That beat to battle where he stands; Thy face across his fancy comes, And gives the battle to his hands : A moment, while the trumpets blow, He sees his brood about thy knee ; The next, like fire he meets the foe, And strikes him dead for thine and thee. So Lilia sang: we thought her halfpossess'd, She struck such warbling fury thro...
Page 164 - The poet, the orator, bred in the woods, whose senses have been nourished by their fair and appeasing changes, year after year, without design and without heed, — shall not lose their lesson altogether, in the roar of cities or the broil of politics.
Page 204 - Rivulets," in which he says that he has not been afraid of the charge of obscurity in his poems, " because human thought, poetry or melody, must have dim escapes and outlets, — must possess a certain fluid, aerial character, akin to space itself, obscure to those of little or no imagination, but indispensable to the highest purposes. Poetic style, when addressed to the soul, is less definite form, outline, sculpture, and becomes vista music, half-tints, and even less than half-tints.
Page 201 - Man cannot afford to be a naturalist, to look at nature directly, but only with the side of his eye. He must look through and beyond her. To look at her is as fatal as to look at the head of Medusa. It turns the man of science to stone.
Page 202 - I long ago lost a hound, a bay horse, and a turtle-dove, and am still on their trail. Many are the travellers I have spoken concerning them, describing their tracks and what calls they answered to. I have met one or two who had heard the hound, and the tramp of the horse, and even seen the dove disappear behind a cloud, and they seemed as anxious to recover them as if they had lost them themselves.
Page 59 - I should be very unwilling to become responsible to another for my writings, who am not so to myself, nor satisfied with them. Whoever goes in quest of knowledge, let him fish for it where it is to be found; there is nothing I so little profess. These are fancies of my own, by which I do not pretend to discover things but to lay open myself...