Architectural Theory, The Vitruvian Fallacy: A History of the Categories in Architectural PhilosophyThe two volumes of Architectural Theory bring together the fundamental elements of architecture and present them in a new and accessible format. The books define the areas of knowledge necessary for successful design and criticism and, for the first time in the history of architectural literature, integrate all the concepts to form a balanced and comprehensive whole. Volume One, A History of the Categories in Architecture and Philosophy, establishes the framework of architectural theory. The author presents a systematic analysis of what constitutes 'good' architecture in the West, tracing the history of architectural theory through the metaphysics of ancient Greece, the doctrines of early and medieval Christianity, up to the concepts and 'categories' of modern philosophy. The twentieth century has seen more building and more analysis of building than any other. Volume Two, Principles of Twentieth-century Architectural Theory Arranged by Category, focuses on the recent fragmentation of architectural theory into distinct doctrines. Formalism, minimalism, mannerism, functionalism, rationalism, brutalism, positivism, romanticism, expressionism, classicism, constructivism, organicism, modernism, futurism, radicalism, deconstructivism, historicism, post-modernism - each movement has influenced the shape of architectural thinking over the last century. Principles of Twentieth-century Architectural Theory Arranged by Category analyses each in turn and places each in context. The volumes are liberally illustrated with representative buildings of the period and include a glossary of terms, a thesaurus, an annotated guide to further reading as well as diagrammatic links connecting themes across both volumes. The two volumes, whether studied together or individually, will prove invaluable to students of architecture and related disciplines. |
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Page 33
... important concept of proportion is shared between the two categories of strength and beauty . In order to understand the underlying concepts on which these ideas are based it is necessary to return to the thoughts of the ancient Greeks ...
... important concept of proportion is shared between the two categories of strength and beauty . In order to understand the underlying concepts on which these ideas are based it is necessary to return to the thoughts of the ancient Greeks ...
Page 58
... important to distinguish elements from principles , the problem with this method would be the same in both cases . No reason can be given for the contents of such divisions . For example , where do the notions of hotness , coldness ...
... important to distinguish elements from principles , the problem with this method would be the same in both cases . No reason can be given for the contents of such divisions . For example , where do the notions of hotness , coldness ...
Page 90
... important to distinguish here between two aspects of love , the " twofold Venus " 256 as Plotinus called it : • First , love as feeling or sympathy , in the unification of the realms of Being and Thought , described by Aquinas as " Love ...
... important to distinguish here between two aspects of love , the " twofold Venus " 256 as Plotinus called it : • First , love as feeling or sympathy , in the unification of the realms of Being and Thought , described by Aquinas as " Love ...
Contents
Vitruvian Categories | 19 |
CATEGORIES IN PHILOSOPHY AND LITERATURE 35 | 35 |
Mediaeval Categories | 61 |
Copyright | |
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aesthetics Alberti analogy Aquinas architectural theory Aristotle Aristotle Ethics Aristotle Metaphysics Aristotle's aspects Augustine beauty building Causality cause Cicero Classical colour communication compared concepts construction Delight described developed discussed Disjunction divine Duns Scotus eighteenth century elements Encyclopédie example feeling Figure function Gothic Greek Hegel human Hume Ibid ideas imagination imitation Inherence Inigo Jones introduced J. S. Mill Judgement Kant Kant's knowledge linked logical London meaning mediaeval mind nature nineteenth century notion object Op.cit ornament Oxford Palladio Peirce perception Philebus philosophy Physics Plato Plato Laws Plato Republic pleasure Plotinus poetry predicate primary categories principles Proclus proportion propriety qualities Quantity reason relation Richard of St Romanticism Ruskin saying Scholasticism Schopenhauer secondary categories seen sense soul Spirit structure style substance symbolism things thought Trinity truth understand unity University Press Venustas virtue Vitruvian Vitruvian categories Vitruvius Wisdom wrote