Cultures of Glass ArchitectureWhen designing, architects are responding to and creating a relationship between identity, culture and architectural style. This book discusses whether the extent of the use of glass facades has increased, or indeed enhanced, the creation of meaningful place-making, thereby creating a cultural identity of 'place'. Looking at the development of perceptions of glass facades in different cultures, it shows how modernist 'glass' buildings are perceived as an expression of technical achievement, as symbols of global economic success and as setting a neutral platform for multi-cultural societies - all of which are difficult for urban developers and policy makers to resist in our era of globalization. Drawing on a number of modern and heritage design projects from Europe, the USA, the Middle East and South East Asia, the book reviews efforts of some regional towns and local places to move up the economic ladder by adopting a more 'global' aesthetic. |
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... glasshouses in Northumbria in AD 676. The abbot of Jarrow continued, however, to ask for help with glassmaking from other sources – one was Archbishop Lullus of Mainz in the Rhineland (AD 758). Further south, in Spain in the same period ...
... glasshouses in Northumbria in AD 676. The abbot of Jarrow continued, however, to ask for help with glassmaking from other sources – one was Archbishop Lullus of Mainz in the Rhineland (AD 758). Further south, in Spain in the same period ...
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... glasshouses. The seventeenth century witnessed an extensive use of glass in Europe. The political and philosophical environment of the seventeenth century (see Chapter 2) led to the abandonment of stained glass and more use of clear ...
... glasshouses. The seventeenth century witnessed an extensive use of glass in Europe. The political and philosophical environment of the seventeenth century (see Chapter 2) led to the abandonment of stained glass and more use of clear ...
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... glasshouses, serres, derives) described the Heidelberg garden designed by De Caus in 1620, with its openable skylights and removable glass walls. The first orangery in France was designed by Louis Le Veau in 1664, followed by another in ...
... glasshouses, serres, derives) described the Heidelberg garden designed by De Caus in 1620, with its openable skylights and removable glass walls. The first orangery in France was designed by Louis Le Veau in 1664, followed by another in ...
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... glasshouses. It was not until the further development of the cylinder method of glass production during the nineteenth century that it became possible to produce large uninterrupted sheets of glass. In England, the British industrialist ...
... glasshouses. It was not until the further development of the cylinder method of glass production during the nineteenth century that it became possible to produce large uninterrupted sheets of glass. In England, the British industrialist ...
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Contents
Environmental Perspectives on Using Glass | |
Constructing Place Identity | |
Structures of Power | |
A Technical Review | |
Rethinking Identity | |
Bibliography | |
Index | |
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aerogel aesthetics architects beauty building envelope building façades building’s built environment Cathedral cent Chapter characteristics clear glass coatings colour contemporary context Corbusier create cultural built heritage daylight Dominion Towers Dubai dynamic eastern Mediterranean economic Egypt electric electrochromic Elkadi emphasis energy environmental European example façade design factor Figure films glass buildings glass façades glass in architecture glass industry glass panes glass technology glass windows glasshouses glassmaking glassworks glazing global Green architecture insulation integral interior Le Corbusier liquid crystal low-e materials modern movement nature Otto Wagner oxide people’s photochromic place identity political production radiation reduce reflect Saridar selective glazing shading coefficient shading devices skin solar cells solar heat gain space Spectrally selective structure surface sustainable development thermal performance thermal transmittance thermochromic tinted traditional transmission transparent twentieth century types U-value urban vernacular architecture visible light visible light transmittance visible transmittance visual Wigginton Wigginton 1996