Cultures of Glass Architecture
When designing, architects are responding to and creating a relationship between identity, culture and architectural style. This book discusses whether the extent of the use of glass facades has increased, or indeed enhanced, the creation of meaningful place-making, thereby creating a cultural identity of 'place'. Looking at the development of perceptions of glass facades in different cultures, it shows how modernist 'glass' buildings are perceived as an expression of technical achievement, as symbols of global economic success and as setting a neutral platform for multi-cultural societies - all of which are difficult for urban developers and policy makers to resist in our era of globalization. Drawing on a number of modern and heritage design projects from Europe, the USA, the Middle East and South East Asia, the book reviews efforts of some regional towns and local places to move up the economic ladder by adopting a more 'global' aesthetic.
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aerogel aesthetics architects beauty building envelope building fašades building’s built environment cathedrals cent Chapter characteristics clear glass colour contemporary context Corbusier create cultural built heritage daylight Dominion Towers Double Glazings double-glazing Dubai dynamic eastern Mediterranean economic electric electrochromic emphasis energy environmental example fašade design factor Figure films fritted glass buildings glass fašades glass in architecture glass industry glass panes glass technology glass windows glasshouses glassmaking glassworks global Green architecture infrared insulation integral interior layers Le Corbusier liquid crystal low-e low-e coatings materials modern movement nature Otto Wagner oxide people’s photochromic place identity political production radiation reduce reflect Saridar shading coefficient shading devices skin solar cells solar heat gain space spectrally selective structure surface sustainable development thermal performance thermal transmittance thermochromic tinted traditional transmission transparent twentieth century types U-value urban vernacular architecture visible light visible light transmittance visible transmittance visual Wigginton Wigginton 1996