The Sewanee Review, Volume 52T. Hodgson, 1944 - American fiction |
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Page 135
... direct narrative ( this time with Orson as the off - stage voice ) brought the story close to the spectator and bridged the gaps of a rather loose - jointed plot . The direction of the ballroom scenes with its feeling for the ebb and ...
... direct narrative ( this time with Orson as the off - stage voice ) brought the story close to the spectator and bridged the gaps of a rather loose - jointed plot . The direction of the ballroom scenes with its feeling for the ebb and ...
Page 224
... direct rep- resentation , " which only the stage can give us . But here , using this mechanic's tool , Flaubert gives us a direct impression of Emma's sensation at a particular moment ( which not even the drama could accomplish ) , and ...
... direct rep- resentation , " which only the stage can give us . But here , using this mechanic's tool , Flaubert gives us a direct impression of Emma's sensation at a particular moment ( which not even the drama could accomplish ) , and ...
Page 439
... direct contradictions , such as " things of light " filing through flesh where there is no flesh . Unfortunately , the " warring images " are sometimes at war with themselves ; the " momentary peace which is a poem " does not eventuate ...
... direct contradictions , such as " things of light " filing through flesh where there is no flesh . Unfortunately , the " warring images " are sometimes at war with themselves ; the " momentary peace which is a poem " does not eventuate ...
Contents
The Necessity For Spiritual Revival Theodore M Greene | 14 |
Albert Taylor Bledsoe R M Weaver | 24 |
Albert Taylor Bledsoe | 34 |
Copyright | |
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