The Sewanee Review, Volume 52T. Hodgson, 1944 - American fiction |
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Page 91
... character , and modified by the total context of the poem . If we could demonstrate that the speech was " in character , " was dramatically appropriate , was properly prepared for , then would not the lines have all the justification of ...
... character , and modified by the total context of the poem . If we could demonstrate that the speech was " in character , " was dramatically appropriate , was properly prepared for , then would not the lines have all the justification of ...
Page 511
... character , which are not to be confused . He says that character in a play is that which reveals the moral purpose of the agents , i.e. , the sort of thing they seek or avoid - hence , there is no room for character in a speech on a ...
... character , which are not to be confused . He says that character in a play is that which reveals the moral purpose of the agents , i.e. , the sort of thing they seek or avoid - hence , there is no room for character in a speech on a ...
Page 548
... Character , and Thought : the incidents , the agents , and the spoken statements arising from these . From the means of imitation , words and music , Diction and Melody are derived ; and from the dramatic manner of imitation , Spectacle ...
... Character , and Thought : the incidents , the agents , and the spoken statements arising from these . From the means of imitation , words and music , Diction and Melody are derived ; and from the dramatic manner of imitation , Spectacle ...
Contents
The Necessity For Spiritual Revival Theodore M Greene | 14 |
Albert Taylor Bledsoe R M Weaver | 24 |
Albert Taylor Bledsoe | 34 |
Copyright | |
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Allen Tate American Aristotle Arthur Rimbaud Arthur Symons artist beauty century character criticism culture D. H. Lawrence dark death Dewey Dewey's distortion Donne Donne's dramatic East Coker Eliot emotion Empson England English experience expression expressionism expressionistic eyes face fact feeling Flaubert forest Forster French George Moore glade heart hero Hooker Howards End human Hutchins ideal ideas imagination intelligence isolation Keats light lines literary literature living look means Meiklejohn method mind modern moral nation nature neoclassicism never Nietzsche Nietzsche's novel Orson passion perhaps person philosophy phrase play poem poet poet's poetic poetry political Ransom reader reason rhetorical rhythm Rimbaud Rittersdorf scene seems sense Sewanee Review Shakespeare social spirit stage stanza suggests symbol Symons T. S. Eliot theme things Thomas thought tion tradition truth University Verlaine verse words Wordsworth writing young