The Sewanee Review, Volume 52T. Hodgson, 1944 - American fiction |
From inside the book
Results 1-3 of 85
Page 161
... becomes a present ; but Dewey's principle of continuity re- quires that we look for further consequences which the " present " future produces in the " future " future . Similarly , means become ends , and ends become means for ...
... becomes a present ; but Dewey's principle of continuity re- quires that we look for further consequences which the " present " future produces in the " future " future . Similarly , means become ends , and ends become means for ...
Page 464
... Become free . " And to others : " Become slaves again , " according to Mr. Degas ' advice . In your case , enough tenacity , enough suffering had already made you win your poet's freedom . I expect everything from this freedom . R ...
... Become free . " And to others : " Become slaves again , " according to Mr. Degas ' advice . In your case , enough tenacity , enough suffering had already made you win your poet's freedom . I expect everything from this freedom . R ...
Page 581
... become aware of this relationship , the likeness becomes all the more convincing when we discern that both characters treated " ideas " and interest in intellectual affairs with the passion and intensity of one who becomes the leader or ...
... become aware of this relationship , the likeness becomes all the more convincing when we discern that both characters treated " ideas " and interest in intellectual affairs with the passion and intensity of one who becomes the leader or ...
Contents
The Necessity For Spiritual Revival Theodore M Greene | 14 |
Albert Taylor Bledsoe R M Weaver | 24 |
Albert Taylor Bledsoe | 34 |
Copyright | |
40 other sections not shown
Other editions - View all
Common terms and phrases
Allen Tate American Aristotle Arthur Rimbaud Arthur Symons artist beauty century character criticism culture D. H. Lawrence dark death Dewey Dewey's distortion Donne Donne's dramatic East Coker Eliot emotion Empson England English experience expression expressionism expressionistic eyes face fact feeling Flaubert forest Forster French George Moore glade heart hero Hooker Howards End human Hutchins ideal ideas imagination intelligence isolation Keats light lines literary literature living look means Meiklejohn method mind modern moral nation nature neoclassicism never Nietzsche Nietzsche's novel Orson passion perhaps person philosophy phrase play poem poet poet's poetic poetry political Ransom reader reason rhetorical rhythm Rimbaud Rittersdorf scene seems sense Sewanee Review Shakespeare social spirit stage stanza suggests symbol Symons T. S. Eliot theme things Thomas thought tion tradition truth University Verlaine verse words Wordsworth writing young