Disruptive Divas: Feminism, Identity & Popular MusicThis work examines how female rock artists Tori Amos, Sara McLachlan, Me'Shell Ndegeocello, P.J. Harvey, Courtney Love and K.D. Lang explore themes of gender and sexuality in their musical and lyrical expression. Merging cultural analysis with musicological theory, the authors examine such issues as gender, performance, the female body, race, sexuality and desire. |
Contents
IV | 1 |
V | 25 |
VI | 57 |
VIII | 67 |
IX | 91 |
XI | 116 |
XII | 127 |
XIV | 141 |
XV | 163 |
XVII | 181 |
XVIII | 207 |
XX | 217 |
XXII | 219 |
XXIII | 229 |
XXIV | 245 |
Other editions - View all
Disruptive Divas: Feminism, Identity and Popular Music Lori Burns,Melisse Lafrance Limited preview - 2013 |
Disruptive Divas: Feminism, Identity and Popular Music Lori Burns,Melisse Lafrance Limited preview - 2013 |
Disruptive Divas: Feminism, Identity & Popular Music Lori Burns,Mélisse Lafrance Limited preview - 2002 |
Common terms and phrases
album Allan Moore Amos's analytic articulation bass bass guitar beat body bridge Butler Catherine chorus concepts connote context contrapuntal Courtney Love creates critical Crucify cultural studies desire discourse discussion Disruptive Divas dissonant dominant effect explore expression female femininity Feminism figure gender Grossberg guitar harmonic Harvey's heterosexual images instance interpretation Lacan listener Lori Burns Love's male Mary Magdalene Me'Shell Ndegeocello meaning measures Mélisse Lafrance melodic Middleton Miss World modalities moves music analysis music theory musicians Musicology narrative narrator Ndegeocello norms object oppression P.J. Harvey patriarchal perspective phrase piano pitch political popular culture popular music position postmodern potential pre-chorus problematic prostitute protagonist question reader relations relationship repetition resistance rhythmic role Rolling Stone Routledge sexual significant social statement strategies structure style subversive tension textual thematic theoretical theorists tion tonal tonic Tori Amos University Press verse violence against women Violet vocal line voice voice-leading York