Novels of George EliotBarbara Hardy's Novels of George Eliot is a classic study of Eliots's outstanding powers as a great formal artist. The book's continuing appeal is due not simply to the perceptiveness and freshness of its writing but to the fact that form is interpreted in the widest sense to include whatever is relevant to the novels as organised, articulated, imaginative wholes and also as the direct expression of George Eliot's profound analysis of the human condition. |
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Page 27
... lives a reduced life : His first movement after the shock had been to work in his loom ; and he went on with this unremittingly , never asking himself why , now he was come to Raveloe , he worked far on into the night to finish 1 For ...
... lives a reduced life : His first movement after the shock had been to work in his loom ; and he went on with this unremittingly , never asking himself why , now he was come to Raveloe , he worked far on into the night to finish 1 For ...
Page 34
... lives on in Rosamond's echoing precision , and forms part of the trap for Lydgate . The ' choir invisible ' is not only the Positivist's immortality but a collective heroism . Adam's contribution is seen as part of a communal glory ...
... lives on in Rosamond's echoing precision , and forms part of the trap for Lydgate . The ' choir invisible ' is not only the Positivist's immortality but a collective heroism . Adam's contribution is seen as part of a communal glory ...
Page 35
... lives have no discernible echo beyond the neighbour- hood where they dwelt , but you are almost sure to find there some good piece of road , some building , some application of mineral produce , with which their names are associated by ...
... lives have no discernible echo beyond the neighbour- hood where they dwelt , but you are almost sure to find there some good piece of road , some building , some application of mineral produce , with which their names are associated by ...
Page 44
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Page 45
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Contents
1 | |
14 | |
32 | |
The Heroines | 47 |
The Egoists | 68 |
V Character and Form | 78 |
VI Plot and Form | 115 |
VII Possibilities | 135 |
Intimate Prophetic and Dramatic | 155 |
IX The Scene as Image | 185 |
X The Pathetic Image | 201 |
XI The Ironical Image | 215 |
Conclusion | 233 |
Index | 239 |
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Common terms and phrases
action Adam Bede Adam's Amos Barton appearance ardour Arthur author's Blackwood Bulstrode Bulstrode's Casaubon chapter characters child coincidence comes commentary context contrast crisis Daniel Deronda dead death Dinah Dorothea dramatic dream echo egoism elaborate Esther example face feeling Felix Holt Floss formal Fred George Eliot gives Grandcourt Gwendolen Haight Henry James hero heroines Hetty Hetty Sorrel Hetty's human imagery imagination insistent interest ironical irony kind later less light look Lydgate Lydgate's Maggie Maggie's marriage metaphor Middlemarch mind Mirah mirror moral move narrative never novel ordinary parallel passion pathetic images pathos pattern perhaps Piero pity plot portrait possibility present reader reading recurring relation repetition Romola Rosamond Savonarola says Scenes of Clerical seems sense sensibility shown Silas Marner social sometimes soul story strong symbol sympathy theme things thought tion Tito Tito's tone tragedy tragic Transome Transome's turn underlined vision voice woman