Novels of George EliotBarbara Hardy's Novels of George Eliot is a classic study of Eliots's outstanding powers as a great formal artist. The book's continuing appeal is due not simply to the perceptiveness and freshness of its writing but to the fact that form is interpreted in the widest sense to include whatever is relevant to the novels as organised, articulated, imaginative wholes and also as the direct expression of George Eliot's profound analysis of the human condition. |
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Page 12
... coincidence in action and plot with the same kind of significant symmetry and antithesis . This does not mean , as anyone who has read even one novel by George Eliot must know , that the formal statement makes explicit and direct ...
... coincidence in action and plot with the same kind of significant symmetry and antithesis . This does not mean , as anyone who has read even one novel by George Eliot must know , that the formal statement makes explicit and direct ...
Page 13
... coincidence . George Eliot does not insist on the resemblance of Casaubon's will and Featherstone's , but gives the clues in chapter - headings and parallel scenes and verbal echo . She does not directly remind us of Gwendolen's terror ...
... coincidence . George Eliot does not insist on the resemblance of Casaubon's will and Featherstone's , but gives the clues in chapter - headings and parallel scenes and verbal echo . She does not directly remind us of Gwendolen's terror ...
Page 76
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Page 84
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Page 98
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Contents
1 | |
14 | |
32 | |
The Heroines | 47 |
The Egoists | 68 |
V Character and Form | 78 |
VI Plot and Form | 115 |
VII Possibilities | 135 |
Intimate Prophetic and Dramatic | 155 |
IX The Scene as Image | 185 |
X The Pathetic Image | 201 |
XI The Ironical Image | 215 |
Conclusion | 233 |
Index | 239 |
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Common terms and phrases
action Adam Bede Adam's Amos Barton appearance ardour Arthur author's Blackwood Bulstrode Bulstrode's Casaubon chapter characters child coincidence comes commentary context contrast crisis Daniel Deronda dead death Dinah Dorothea dramatic dream echo egoism elaborate Esther example face feeling Felix Holt Floss formal Fred George Eliot gives Grandcourt Gwendolen Haight Henry James hero heroines Hetty Hetty Sorrel Hetty's human imagery imagination insistent interest ironical irony kind later less light look Lydgate Lydgate's Maggie Maggie's marriage metaphor Middlemarch mind Mirah mirror moral move narrative never novel ordinary parallel passion pathetic images pathos pattern perhaps Piero pity plot portrait possibility present reader reading recurring relation repetition Romola Rosamond Savonarola says Scenes of Clerical seems sense sensibility shown Silas Marner social sometimes soul story strong symbol sympathy theme things thought tion Tito Tito's tone tragedy tragic Transome Transome's turn underlined vision voice woman