Novels of George EliotBarbara Hardy's Novels of George Eliot is a classic study of Eliots's outstanding powers as a great formal artist. The book's continuing appeal is due not simply to the perceptiveness and freshness of its writing but to the fact that form is interpreted in the widest sense to include whatever is relevant to the novels as organised, articulated, imaginative wholes and also as the direct expression of George Eliot's profound analysis of the human condition. |
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Page 11
... Esther Lyon , or of Dorothea and Lydgate , or of Gwendolen and Mirah . In George Eliot the formal relations of the charac- ters are usually presented unassertively . They are inferred or collected by the reader in the process of reading ...
... Esther Lyon , or of Dorothea and Lydgate , or of Gwendolen and Mirah . In George Eliot the formal relations of the charac- ters are usually presented unassertively . They are inferred or collected by the reader in the process of reading ...
Page 32
... George Eliot's tragic pattern . Adam , like Maggie and Esther and Dorothea and the rest , enlarges his imagination and his sensibility . It is the egoist's process towards a wider 32 II. The Tragic Process: Adam Bede.
... George Eliot's tragic pattern . Adam , like Maggie and Esther and Dorothea and the rest , enlarges his imagination and his sensibility . It is the egoist's process towards a wider 32 II. The Tragic Process: Adam Bede.
Page 47
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Page 48
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Page 49
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Contents
1 | |
14 | |
32 | |
The Heroines | 47 |
The Egoists | 68 |
V Character and Form | 78 |
VI Plot and Form | 115 |
VII Possibilities | 135 |
Intimate Prophetic and Dramatic | 155 |
IX The Scene as Image | 185 |
X The Pathetic Image | 201 |
XI The Ironical Image | 215 |
Conclusion | 233 |
Index | 239 |
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Common terms and phrases
action Adam Bede Adam's Amos Barton appearance ardour Arthur author's Blackwood Bulstrode Bulstrode's Casaubon chapter characters child coincidence comes commentary context contrast crisis Daniel Deronda dead death Dinah Dorothea dramatic dream echo egoism elaborate Esther example face feeling Felix Holt Floss formal Fred George Eliot gives Grandcourt Gwendolen Haight Henry James hero heroines Hetty Hetty Sorrel Hetty's human imagery imagination insistent interest ironical irony kind later less light look Lydgate Lydgate's Maggie Maggie's marriage metaphor Middlemarch mind Mirah mirror moral move narrative never novel ordinary parallel passion pathetic images pathos pattern perhaps Piero pity plot portrait possibility present reader reading recurring relation repetition Romola Rosamond Savonarola says Scenes of Clerical seems sense sensibility shown Silas Marner social sometimes soul story strong symbol sympathy theme things thought tion Tito Tito's tone tragedy tragic Transome Transome's turn underlined vision voice woman