Particularities: Readings in George Eliot |
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Page 44
... writing the crucial letter asking Ladislaw to come to Middle- march . The very beginning of the chapter moves us on from the point at which we left Casaubon at the end of Chapter 29 , when he had his first heart attack . In Chapter 30 ...
... writing the crucial letter asking Ladislaw to come to Middle- march . The very beginning of the chapter moves us on from the point at which we left Casaubon at the end of Chapter 29 , when he had his first heart attack . In Chapter 30 ...
Page 69
... writing of herself . Apart from the sources of personal experience I have been speaking of , there is this lack of patterning , which also seems to have come out of the closeness to life . Writing out of personal dreams and urges has ...
... writing of herself . Apart from the sources of personal experience I have been speaking of , there is this lack of patterning , which also seems to have come out of the closeness to life . Writing out of personal dreams and urges has ...
Page 109
... writing she learnt more about imagination and love , about the ways in which we shape our sense of the world inside and outside novels . For instance , her interest in the life - narrations which loom large in all experience was fairly ...
... writing she learnt more about imagination and love , about the ways in which we shape our sense of the world inside and outside novels . For instance , her interest in the life - narrations which loom large in all experience was fairly ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing