Particularities: Readings in George Eliot |
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Page 116
... of intimates , acquaintances , and strangers . The talk turns round , and each turn is public in theme , private in motive and address . The chapter - motto is Don Quixote's transformation of the basin into the Helmet of 116 ...
... of intimates , acquaintances , and strangers . The talk turns round , and each turn is public in theme , private in motive and address . The chapter - motto is Don Quixote's transformation of the basin into the Helmet of 116 ...
Page 149
... turn out to be highly complex . To isolate the influential plot - properties in Scenes of Clerical Life is instructive . At every turn in the action , some appropriate object is picked out as instrumental . In ' The Sad Fortunes of The ...
... turn out to be highly complex . To isolate the influential plot - properties in Scenes of Clerical Life is instructive . At every turn in the action , some appropriate object is picked out as instrumental . In ' The Sad Fortunes of The ...
Page 153
... turns up in her red- leather case when she is looking for ' something worth selling ' . Though it turns her towards Dinah , that turn is not followed through and once more what might be powerful is thwarted by stronger circumstances ...
... turns up in her red- leather case when she is looking for ' something worth selling ' . Though it turns her towards Dinah , that turn is not followed through and once more what might be powerful is thwarted by stronger circumstances ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing