Particularities: Readings in George Eliot |
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Page 118
... things in a blind sort of way , as Dorothea tells Will , widening the skirts of light . Still , there is precision ... things with us would mean the greatest things . It would be like marrying Pascal . I should learn to see the truth by ...
... things in a blind sort of way , as Dorothea tells Will , widening the skirts of light . Still , there is precision ... things with us would mean the greatest things . It would be like marrying Pascal . I should learn to see the truth by ...
Page 151
... things . Things are seen as aspects of social and personal processes of giving , taking , working , needing , consuming , collecting , wasting and indulging . Not that the function of objects in plot is unimportant ; the developments of ...
... things . Things are seen as aspects of social and personal processes of giving , taking , working , needing , consuming , collecting , wasting and indulging . Not that the function of objects in plot is unimportant ; the developments of ...
Page 165
... things ; the things which are animated by custom , duty , love and need are inseparable from the human being . This is one of many answers given by George Eliot to the questions formulated by Henry James in The Portrait of a Lady ...
... things ; the things which are animated by custom , duty , love and need are inseparable from the human being . This is one of many answers given by George Eliot to the questions formulated by Henry James in The Portrait of a Lady ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing