Particularities: Readings in George Eliot |
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Page 72
... shows this openness and freedom while others remain conventionally grouped around that live centre . The stubborn ... shows people acting out of character , in obedience to strong external pressures , and then shows the recoil , in ...
... shows this openness and freedom while others remain conventionally grouped around that live centre . The stubborn ... shows people acting out of character , in obedience to strong external pressures , and then shows the recoil , in ...
Page 180
... shows her suffering , at this moment , as stronger than his ; but his sense of her suffering then exacerbates his own . It is a small detail of style , but an example of the strength of language in the novel . The animation of image ...
... shows her suffering , at this moment , as stronger than his ; but his sense of her suffering then exacerbates his own . It is a small detail of style , but an example of the strength of language in the novel . The animation of image ...
Page 181
... shows the difficulties and dangers of Imagination in such characters as Dorothea Brooke and Daniel Deronda . Like James Joyce after her , she takes pains to show the inner action of unimaginative minds in such characters as Amos Barton ...
... shows the difficulties and dangers of Imagination in such characters as Dorothea Brooke and Daniel Deronda . Like James Joyce after her , she takes pains to show the inner action of unimaginative minds in such characters as Amos Barton ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing