Particularities: Readings in George Eliot |
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Page 112
... sense of the world , but in Middlemarch George Eliot shows a realist tolerance of decent people without much sense of history . Less like a fable than any of her other novels , Middlemarch has a moral spectrum of many shades . History ...
... sense of the world , but in Middlemarch George Eliot shows a realist tolerance of decent people without much sense of history . Less like a fable than any of her other novels , Middlemarch has a moral spectrum of many shades . History ...
Page 148
... sense of society , and sense of self . Dickens , too , is far from being unaware of such interactions ; he uses fiction in ways which are significantly distinct from those of George Eliot . For instance , he occasionally reflects on the ...
... sense of society , and sense of self . Dickens , too , is far from being unaware of such interactions ; he uses fiction in ways which are significantly distinct from those of George Eliot . For instance , he occasionally reflects on the ...
Page 198
... sense of annihilation in the presence of the crowding identities of a crowded room , clearly related to many images of disenchantment , and probably a personal source for Daniel Deronda's imagination , created as the right repository ...
... sense of annihilation in the presence of the crowding identities of a crowded room , clearly related to many images of disenchantment , and probably a personal source for Daniel Deronda's imagination , created as the right repository ...
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action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing