Particularities: Readings in George Eliot |
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Page 43
... scene with Ladislaw . These are all scenes of crisis in action , but all also highly compressed and pregnant ... scene in Rome where Casaubon takes Dorothea on a tour of significant works of art , or the scene of Featherstone's funeral ...
... scene with Ladislaw . These are all scenes of crisis in action , but all also highly compressed and pregnant ... scene in Rome where Casaubon takes Dorothea on a tour of significant works of art , or the scene of Featherstone's funeral ...
Page 44
... scene between Casaubon , Lydgate , and Brooke , at Lowick , which is followed by the long and central scene between Lydgate and Dorothea . This modulates into a report of Dorothea's thoughts and doings after Lydgate goes , and ...
... scene between Casaubon , Lydgate , and Brooke , at Lowick , which is followed by the long and central scene between Lydgate and Dorothea . This modulates into a report of Dorothea's thoughts and doings after Lydgate goes , and ...
Page 199
... scene , like the scene in Emma , is remarkable as showing the creative mind in an atypical mood , but for Daniel there is no enjoyment : Many nights were watched through by him in gazing from the open window of his room on the double ...
... scene , like the scene in Emma , is remarkable as showing the creative mind in an atypical mood , but for Daniel there is no enjoyment : Many nights were watched through by him in gazing from the open window of his room on the double ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing