Particularities: Readings in George Eliot |
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Page 27
... psychological and structural flaw in Middlemarch . 4. Since writing this I have seen David Daiches ' little book on Middlemarch in which he discusses Casaubon's impotence , making the comment that ' no doubt the Victorian reader failed ...
... psychological and structural flaw in Middlemarch . 4. Since writing this I have seen David Daiches ' little book on Middlemarch in which he discusses Casaubon's impotence , making the comment that ' no doubt the Victorian reader failed ...
Page 28
Readings in George Eliot Barbara Hardy. It is a psychological flaw because of a failure in truthfulness , a structural flaw because of the vivid presence of truthfulness elsewhere . I do not insist on describing the flaw in psychological ...
Readings in George Eliot Barbara Hardy. It is a psychological flaw because of a failure in truthfulness , a structural flaw because of the vivid presence of truthfulness elsewhere . I do not insist on describing the flaw in psychological ...
Page 179
... psychological realities of this life , this contemplated exile , this silence , fear and fantasy of bad faith , this withering to death . The word ' duteous ' forces a new concept on Bulstrode and on us . The generalizations are ...
... psychological realities of this life , this contemplated exile , this silence , fear and fantasy of bad faith , this withering to death . The word ' duteous ' forces a new concept on Bulstrode and on us . The generalizations are ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing