Particularities: Readings in George Eliot |
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Page 44
... past tense in which Lydgate sits and watches by the sick man , obviously on more than one occasion . At last a particular occasion is singled out to make the first scene , in which Lydgate advises Casaubon ' to be satisfied with ...
... past tense in which Lydgate sits and watches by the sick man , obviously on more than one occasion . At last a particular occasion is singled out to make the first scene , in which Lydgate advises Casaubon ' to be satisfied with ...
Page 48
... past and future , not just in the references to time but also in its symbolic associations . We pick up tones of light and dark from past scenes where Dorothea has stood out from Lowick , from past scenes in the library . We hear tones ...
... past and future , not just in the references to time but also in its symbolic associations . We pick up tones of light and dark from past scenes where Dorothea has stood out from Lowick , from past scenes in the library . We hear tones ...
Page 118
... past world , of going back , like Casaubon , over irksome intervening timemarks . Casaubon's researches were shaped by his author's , and in her presentation of his historical scholarship , the debt to Romola is almost too painfully ...
... past world , of going back , like Casaubon , over irksome intervening timemarks . Casaubon's researches were shaped by his author's , and in her presentation of his historical scholarship , the debt to Romola is almost too painfully ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing