Particularities: Readings in George Eliot |
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Page 87
... passion through argument , but George Eliot's novels are more responsive to the life of feeling than her poetry . Even in Middlemarch she uses statements about the passions as well as passionate enactment , needing words that classify ...
... passion through argument , but George Eliot's novels are more responsive to the life of feeling than her poetry . Even in Middlemarch she uses statements about the passions as well as passionate enactment , needing words that classify ...
Page 101
... passion , that we ' find images ' which ' soothe the passion with hope or sting it with dread ' , and she shows Will making his desirable , sympathetic , and selective background image of society and environment . Church , congregation ...
... passion , that we ' find images ' which ' soothe the passion with hope or sting it with dread ' , and she shows Will making his desirable , sympathetic , and selective background image of society and environment . Church , congregation ...
Page 102
... passion is George Eliot's display of the community of socially determined attitudes and feelings , where they emerge in deference to squire , vicar , or throned queen . The feminist impatience , which runs through the novel , pervades ...
... passion is George Eliot's display of the community of socially determined attitudes and feelings , where they emerge in deference to squire , vicar , or throned queen . The feminist impatience , which runs through the novel , pervades ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing