Particularities: Readings in George Eliot |
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Page 10
... particular community ( Middlemarch ) , at a particular time ( 1829-32 ) . The method is realistic in its rendering of individual and society , but the result of the realism is knowledge . George Eliot's art is affective , ethical , and ...
... particular community ( Middlemarch ) , at a particular time ( 1829-32 ) . The method is realistic in its rendering of individual and society , but the result of the realism is knowledge . George Eliot's art is affective , ethical , and ...
Page 39
... particular sensations and feelings are more easily subsumed and more easily lost in an account of ' unity ' or ' theme ' than the ways of Beckett , but I have a strong feeling , composed of reverence and of irreverence , that most ...
... particular sensations and feelings are more easily subsumed and more easily lost in an account of ' unity ' or ' theme ' than the ways of Beckett , but I have a strong feeling , composed of reverence and of irreverence , that most ...
Page 41
... particular sensation and feeling is admitted and described , it is easier to recognize and expect the unpurposive detail , whose effect is simply local and immediate . Structural criticism has to precede an analysis of detail , so that ...
... particular sensation and feeling is admitted and described , it is easier to recognize and expect the unpurposive detail , whose effect is simply local and immediate . Structural criticism has to precede an analysis of detail , so that ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing