Particularities: Readings in George Eliot |
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Page 60
... novel , and is particularly associated with Rochester and Agnes . In both novels there is an increase in authorial magic at the end , but the wish - fulfilment also shapes a kind of character who will make for that end , fantastically ...
... novel , and is particularly associated with Rochester and Agnes . In both novels there is an increase in authorial magic at the end , but the wish - fulfilment also shapes a kind of character who will make for that end , fantastically ...
Page 65
... novel into a Providence novel at the end is not simply this magical coincidence of prayer and answer in the ' water flowing under her ' : it is the appearance of exactly the wrong kind of problem - solving . Throughout the novel there ...
... novel into a Providence novel at the end is not simply this magical coincidence of prayer and answer in the ' water flowing under her ' : it is the appearance of exactly the wrong kind of problem - solving . Throughout the novel there ...
Page 66
... novel is not a high regard for aesthetic unity and distress over an unprepared ending ; it is an objection to the bad faith that contrasts so strongly with the authenticity of everything that comes before . George Eliot insists that ...
... novel is not a high regard for aesthetic unity and distress over an unprepared ending ; it is an objection to the bad faith that contrasts so strongly with the authenticity of everything that comes before . George Eliot insists that ...
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action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing