Particularities: Readings in George Eliot |
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Page 56
... moral choices but also of a variety of feelings . Those feelings are very important in our experience of characters as ' real ' . They are not always arranged in the carefully sequential pattern of the moral crisis . For instance , once ...
... moral choices but also of a variety of feelings . Those feelings are very important in our experience of characters as ' real ' . They are not always arranged in the carefully sequential pattern of the moral crisis . For instance , once ...
Page 112
... moral base delicately but firmly created by Jane Austen in Mansfield Park , where she relates Fanny Price's awareness of the larger world - ' Did you not hear me question him about the slave - trade ? ' to her capacity for rhapsody ...
... moral base delicately but firmly created by Jane Austen in Mansfield Park , where she relates Fanny Price's awareness of the larger world - ' Did you not hear me question him about the slave - trade ? ' to her capacity for rhapsody ...
Page 178
... moral consensus silently or directly evoked , as in the chapter's first question . The style also makes an affective medium for revealing his feelings , without too much interference from moral analysis and judgment . Just as we cannot ...
... moral consensus silently or directly evoked , as in the chapter's first question . The style also makes an affective medium for revealing his feelings , without too much interference from moral analysis and judgment . Just as we cannot ...
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action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing