Particularities: Readings in George Eliot |
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Page 48
... later occasions but here it marks very sharply that naked contact of real feelings which makes a crisis in many ... later contrasts between Dorothea and Rosamond , and later scenes where Dorothea's moral energy is seen to be linked with ...
... later occasions but here it marks very sharply that naked contact of real feelings which makes a crisis in many ... later contrasts between Dorothea and Rosamond , and later scenes where Dorothea's moral energy is seen to be linked with ...
Page 55
... later novels , is broken up , and is used functionally , to present and punctuate the dramatic scene . It does not hold up movement but facilitates it , filling in the movement backward or forward in time , standing back and staying ...
... later novels , is broken up , and is used functionally , to present and punctuate the dramatic scene . It does not hold up movement but facilitates it , filling in the movement backward or forward in time , standing back and staying ...
Page 56
... later most courteously to praise for its ' scrupulous care ' , in a phrase which takes us back to this chapter of watching . Other scenes are more strikingly subtle and novel in their psychological analysis , for here George Eliot is ...
... later most courteously to praise for its ' scrupulous care ' , in a phrase which takes us back to this chapter of watching . Other scenes are more strikingly subtle and novel in their psychological analysis , for here George Eliot is ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing