Particularities: Readings in George Eliot |
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Page 12
... kind of imagination is this which is so reason ridden ? ' and answers , ' A kind of its own ' . George Eliot and Beckett both examine the nature of reason and imagination . She does so through a fully detailed invention and embodiment ...
... kind of imagination is this which is so reason ridden ? ' and answers , ' A kind of its own ' . George Eliot and Beckett both examine the nature of reason and imagination . She does so through a fully detailed invention and embodiment ...
Page 57
... kind of detail I have mentioned here , which is so marvellously typical of Middlemarch . I can- not substantiate this kind of comparison in a short study nor can I substantiate what I have called the typicality of this kind of detail ...
... kind of detail I have mentioned here , which is so marvellously typical of Middlemarch . I can- not substantiate this kind of comparison in a short study nor can I substantiate what I have called the typicality of this kind of detail ...
Page 168
... kind of thing ? ' and the duplicity of the slang phrase is carefully pointed out by the narrator , who comments that Gwendolen says ' Yes ' without considering what " " kind of thing " was meant - whether the flowers , the scents , the ...
... kind of thing ? ' and the duplicity of the slang phrase is carefully pointed out by the narrator , who comments that Gwendolen says ' Yes ' without considering what " " kind of thing " was meant - whether the flowers , the scents , the ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing