Particularities: Readings in George Eliot |
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Page 17
... give names to the situations and relationships . Her refusal to give names is probably less a matter of social decorum than a matter of dramatic effect . Our curiosity and tension , and our troubled identification with secrecy , privacy ...
... give names to the situations and relationships . Her refusal to give names is probably less a matter of social decorum than a matter of dramatic effect . Our curiosity and tension , and our troubled identification with secrecy , privacy ...
Page 28
... give him a significant place in the unreformed society . Like Sir Clifford , his assumption of Providential grace and favour for self and class gives him more than a merely personal deadness and egoism , though both in Middlemarch and ...
... give him a significant place in the unreformed society . Like Sir Clifford , his assumption of Providential grace and favour for self and class gives him more than a merely personal deadness and egoism , though both in Middlemarch and ...
Page 157
... give way to them . ' ' Oh dear , no ! ' said Gwendolen , letting out her scorn in a flute - like tone . ' I never expect you to give way . ' ' Why should I ? ' said Grandcourt , with his inward voice , looking at her , and then choosing ...
... give way to them . ' ' Oh dear , no ! ' said Gwendolen , letting out her scorn in a flute - like tone . ' I never expect you to give way . ' ' Why should I ? ' said Grandcourt , with his inward voice , looking at her , and then choosing ...
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action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing