Particularities: Readings in George Eliot |
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Page 63
... fully related to the action : Ralph does something very like putting wind in her sails , and the audacity , responsibility , freedom , and danger involved in the figure are fully worked out in event and character . The animation that ...
... fully related to the action : Ralph does something very like putting wind in her sails , and the audacity , responsibility , freedom , and danger involved in the figure are fully worked out in event and character . The animation that ...
Page 144
... fully told , Daniel tells and Gwendolen listens . The narrative irony created by the structural dualities precipitates expectation , tension , and climax . We know what she does not know , what has been beyond her imaginative timidities ...
... fully told , Daniel tells and Gwendolen listens . The narrative irony created by the structural dualities precipitates expectation , tension , and climax . We know what she does not know , what has been beyond her imaginative timidities ...
Page 149
... fully imagined as objects can be , less fully imagined than characters can be , in the nature of things . As Marx observed : A commodity appears , at first sight , a very trivial thing , and easily understood . Its analysis shows that ...
... fully imagined as objects can be , less fully imagined than characters can be , in the nature of things . As Marx observed : A commodity appears , at first sight , a very trivial thing , and easily understood . Its analysis shows that ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing