Particularities: Readings in George Eliot |
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Page 10
... fiction : authorial commentary , the free indirect style , literary allusion , personification , psychological analysis , together with features we tend to associate with modern fiction , such as shifts of style , irony , and symbolism ...
... fiction : authorial commentary , the free indirect style , literary allusion , personification , psychological analysis , together with features we tend to associate with modern fiction , such as shifts of style , irony , and symbolism ...
Page 41
... Fiction offers us the inside of experience which is normally unavailable except in relation to ourselves , and it does so in a medium composed of a continuous but unpredictable set of stimulae . The continuum is certainly more ordered ...
... Fiction offers us the inside of experience which is normally unavailable except in relation to ourselves , and it does so in a medium composed of a continuous but unpredictable set of stimulae . The continuum is certainly more ordered ...
Page 146
... fiction to the ellipses of later fiction . Before George Eliot , all the stories are told by the end of the story . She , like Henry James , makes the medium of her fiction less porous than that of , say , Richardson or Jane Austen or ...
... fiction to the ellipses of later fiction . Before George Eliot , all the stories are told by the end of the story . She , like Henry James , makes the medium of her fiction less porous than that of , say , Richardson or Jane Austen or ...
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action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing