Particularities: Readings in George Eliot |
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Page 55
... feeling , or on the process of Brooke's decision to ask Will to Middlemarch , made less by Brooke than by his pen : none of these comments , if we reflect , could have been dramatized or expressed directly through character . The ...
... feeling , or on the process of Brooke's decision to ask Will to Middlemarch , made less by Brooke than by his pen : none of these comments , if we reflect , could have been dramatized or expressed directly through character . The ...
Page 56
... feeling . A character created by George Eliot is made up not only of a carefully arranged sequence of moral choices but also of a variety of feelings . Those feelings are very important in our experience of characters as ' real ' . They ...
... feeling . A character created by George Eliot is made up not only of a carefully arranged sequence of moral choices but also of a variety of feelings . Those feelings are very important in our experience of characters as ' real ' . They ...
Page 95
... feeling is related to thought and action . The characters think , act , and relate in a complex drama of feeling , the passions rise in intensity and crisis from the narrative flow . Even the minor characters draw much of their ...
... feeling is related to thought and action . The characters think , act , and relate in a complex drama of feeling , the passions rise in intensity and crisis from the narrative flow . Even the minor characters draw much of their ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing