Particularities: Readings in George Eliot |
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Page 41
... experience is not only fairly detached , but also fragmented and localized . Fiction offers us the inside of experience which is normally unavailable except in relation to ourselves , and it does so in a medium composed of a continuous ...
... experience is not only fairly detached , but also fragmented and localized . Fiction offers us the inside of experience which is normally unavailable except in relation to ourselves , and it does so in a medium composed of a continuous ...
Page 68
... experience is reversed . Characteristic of her own experience is the sense of false conversion and the restoration to continuity : George Eliot dramatized her ' conversion ' in much the way Maggie does , by refusing to go to church , by ...
... experience is reversed . Characteristic of her own experience is the sense of false conversion and the restoration to continuity : George Eliot dramatized her ' conversion ' in much the way Maggie does , by refusing to go to church , by ...
Page 109
... experience was fairly rudimentary in Scenes of Clerical Life , but it became a prominent aspect of fictional psychology in Adam Bede and The Mill on the Floss , which took their author's experience of story - telling into their content ...
... experience was fairly rudimentary in Scenes of Clerical Life , but it became a prominent aspect of fictional psychology in Adam Bede and The Mill on the Floss , which took their author's experience of story - telling into their content ...
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action acts Adam Bede aesthetic analysis artist authorial Brooke Bulstrode Bulstrode's Casaubon Chapter 30 character Charlotte Brontë consciousness crisis criticism Cupid and Psyche Daniel Deronda dark death detail Dickens Dorothea dramatic dream emotional environment essays experience explicit expressive fantasy feeling Felix Holt fiction Floss George Eliot shows Grandcourt Gwendolen Henry James human imagery imagination implications important instance interest irony Jane Jane Austen Jane Eyre Ladislaw Lady Lady Chatterley's Lover living look Lowick Lydgate Lydgate's lyric Maggie Maggie's marriage masculine metaphor Middlemarch Mill mind moral move movement narrative narrator narrator's nature never novel novelist objects particular passion perhaps Philip pity present psychological reader realistic relation relationship renunciation response reticence ritual Rome Romola Rosamond Scenes of Clerical seems sense sexual Silas Marner social soul speak story symbol tells things thought truth Tulliver unity Victorian vision voice Will's words