Particularities: Readings in George Eliot |
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Page 137
... example of Eve em- bittered in Paradise by Adam's reproach , and culminates in the generalized recollection of childhood . The three images are joined to move out of the novel's particularity into the appeal to common experience ...
... example of Eve em- bittered in Paradise by Adam's reproach , and culminates in the generalized recollection of childhood . The three images are joined to move out of the novel's particularity into the appeal to common experience ...
Page 140
... example to the relationship of George Eliot and George Henry Lewes to recognize the tribute to loving companionship ... examples ; they act as ironic and critical contrasts with the narrative's main subject , the hateful separateness of ...
... example to the relationship of George Eliot and George Henry Lewes to recognize the tribute to loving companionship ... examples ; they act as ironic and critical contrasts with the narrative's main subject , the hateful separateness of ...
Page 162
... example of metonymic blindness : as we see in Book One , Chapter 2 of The Mill on the Floss when Mr Tulliver uses the example of the waggoner's mole , her literal - mindedness flounders and he gives up ' I meant it to stand for summat ...
... example of metonymic blindness : as we see in Book One , Chapter 2 of The Mill on the Floss when Mr Tulliver uses the example of the waggoner's mole , her literal - mindedness flounders and he gives up ' I meant it to stand for summat ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing