Particularities: Readings in George Eliot |
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Page 21
... emotional needs which she is not she would still be in for intellectual and moral disillusion . It is the emotional and physical shock which I want to bring out here . - - When we see her in Rome , through Naumann's shrewd perception ...
... emotional needs which she is not she would still be in for intellectual and moral disillusion . It is the emotional and physical shock which I want to bring out here . - - When we see her in Rome , through Naumann's shrewd perception ...
Page 40
... emotional disenchantment on her wedding journey is taking a symbolic shape . What one should also acknowledge , I believe , is the sensational quality of the symbol . The visual and physical pressures are strong , in imagery like ' the ...
... emotional disenchantment on her wedding journey is taking a symbolic shape . What one should also acknowledge , I believe , is the sensational quality of the symbol . The visual and physical pressures are strong , in imagery like ' the ...
Page 88
... emotional segregation . All show a similar confidence and innocence about their strong feelings , illustrating in their sharply individual ways D. H. Lawrence's insistence on our brash creation of categories of feeling which are not ...
... emotional segregation . All show a similar confidence and innocence about their strong feelings , illustrating in their sharply individual ways D. H. Lawrence's insistence on our brash creation of categories of feeling which are not ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing