Particularities: Readings in George Eliot |
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Page 43
... crisis in action nor a crisis in vision . Although the texture is more dense and the epitomes less glaring than in the novels of Henry James , there is very little relaxation of tension in Middlemarch , very much less assertive comic ...
... crisis in action nor a crisis in vision . Although the texture is more dense and the epitomes less glaring than in the novels of Henry James , there is very little relaxation of tension in Middlemarch , very much less assertive comic ...
Page 45
... crisis , is all strictly necessary and plausible . The crises are all revealed and relaxed by the insensitivity of Brooke , whose suggestions of shuttlecock and Smollett and final almost automatic writing to Ladislaw are splendid ...
... crisis , is all strictly necessary and plausible . The crises are all revealed and relaxed by the insensitivity of Brooke , whose suggestions of shuttlecock and Smollett and final almost automatic writing to Ladislaw are splendid ...
Page 61
... crises of her life , the one a crisis of belief and the other a crisis of ethical choice , and many less climactic occasions of depression and anxiety , were all marked by a frightening sense of dislocation and loss of identity . Behind ...
... crises of her life , the one a crisis of belief and the other a crisis of ethical choice , and many less climactic occasions of depression and anxiety , were all marked by a frightening sense of dislocation and loss of identity . Behind ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing