Particularities: Readings in George Eliot |
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Page 31
... beginning of Dorothea's acquaintance with Will , and which has many implications . Dorothea is presented as a Puritan , and this makes for a special irony in her marriage - her self - abnegation has made the innocent blunder possible ...
... beginning of Dorothea's acquaintance with Will , and which has many implications . Dorothea is presented as a Puritan , and this makes for a special irony in her marriage - her self - abnegation has made the innocent blunder possible ...
Page 130
... beginning may have satisfied the author's scrupulous fidelity to early memories , and the narrative may have fulfilled some function of conflating fact with fiction . The second story , ' Mr Gilfil's Love Story ' , is set too far back ...
... beginning may have satisfied the author's scrupulous fidelity to early memories , and the narrative may have fulfilled some function of conflating fact with fiction . The second story , ' Mr Gilfil's Love Story ' , is set too far back ...
Page 161
... beginning to treasure this object , but she is beginning to treasure objects , as she has never done before . A previous thinness of attachment and a new development in caring are shown in the detail about her father's chain . The ...
... beginning to treasure this object , but she is beginning to treasure objects , as she has never done before . A previous thinness of attachment and a new development in caring are shown in the detail about her father's chain . The ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing