Particularities: Readings in George Eliot |
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Page 13
... artist may not think of art in this way . If we value the discoveries we discover in art , then such ignorance in the artist illustrates the truth of Lawrence's dictum that we should trust the tale , not the artist , and the work of art ...
... artist may not think of art in this way . If we value the discoveries we discover in art , then such ignorance in the artist illustrates the truth of Lawrence's dictum that we should trust the tale , not the artist , and the work of art ...
Page 60
... artist's life about which little is known and an artist's life about which a great deal is known . We happen to be in a position to say that Charlotte's sexual and social experiences may well explain her need for a sexual and religious ...
... artist's life about which little is known and an artist's life about which a great deal is known . We happen to be in a position to say that Charlotte's sexual and social experiences may well explain her need for a sexual and religious ...
Page 193
... artist's imagination , shown directly and explicitly . ( Unless we count ' The Lifted Veil ' , where George Eliot's only first - person narrator who is not George Eliot is given the professional task of writing his own story . ) Philip ...
... artist's imagination , shown directly and explicitly . ( Unless we count ' The Lifted Veil ' , where George Eliot's only first - person narrator who is not George Eliot is given the professional task of writing his own story . ) Philip ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing