Particularities: Readings in George Eliot |
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Page 12
... appropriate foreshortenings . The details about Gibson and the gingerbread fall out of the narrative , the self - approving reflections do not . The technique of his personal story has considerable interest and , like Maggie's lion ...
... appropriate foreshortenings . The details about Gibson and the gingerbread fall out of the narrative , the self - approving reflections do not . The technique of his personal story has considerable interest and , like Maggie's lion ...
Page 175
... appropriate . The turn takes us further into generalization as the commentator explains , with firm confidence , the ... appropriate to the narrative tone and temper , in the fullest sense , and more narrowly and locally appropriate to ...
... appropriate . The turn takes us further into generalization as the commentator explains , with firm confidence , the ... appropriate to the narrative tone and temper , in the fullest sense , and more narrowly and locally appropriate to ...
Page 197
Readings in George Eliot Barbara Hardy. - - Passion finds appropriate imagery ; it constructs and forecasts scene and ... appropriately tentative medium for Marian Evans's own melancholy , self - consciousness , doubt and ambition , as ...
Readings in George Eliot Barbara Hardy. - - Passion finds appropriate imagery ; it constructs and forecasts scene and ... appropriately tentative medium for Marian Evans's own melancholy , self - consciousness , doubt and ambition , as ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing