Particularities: Readings in George Eliot |
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Page 45
... appearance is only an appearance , since of course selection is taking place all the time . The structure is governed by the relations of proximity , the appearance suggests the loose unity of ' everything that happened at Lowick on ...
... appearance is only an appearance , since of course selection is taking place all the time . The structure is governed by the relations of proximity , the appearance suggests the loose unity of ' everything that happened at Lowick on ...
Page 55
... appearance and passionate feeling , or on the process of Brooke's decision to ask Will to Middlemarch , made less by Brooke than by his pen : none of these comments , if we reflect , could have been dramatized or expressed directly ...
... appearance and passionate feeling , or on the process of Brooke's decision to ask Will to Middlemarch , made less by Brooke than by his pen : none of these comments , if we reflect , could have been dramatized or expressed directly ...
Page 128
... appearance of the fictitious name , there is obviously no simple derivation of narrator from author , though since the narrator often speaks with authorial self - consciousness , it is understandable that the two are often associated or ...
... appearance of the fictitious name , there is obviously no simple derivation of narrator from author , though since the narrator often speaks with authorial self - consciousness , it is understandable that the two are often associated or ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing