Particularities: Readings in George Eliot |
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Page 43
... action , but all also highly compressed and pregnant . Chapter 30 is also less blatantly and totally symbolic than other scenes which do not mark such crises of decision , but are plainly summaries and potent expressions of idea and ...
... action , but all also highly compressed and pregnant . Chapter 30 is also less blatantly and totally symbolic than other scenes which do not mark such crises of decision , but are plainly summaries and potent expressions of idea and ...
Page 63
... action . There is the sense of a restless preparation in rhetoric which does not move dynamically with events and characters . Mrs Tulliver's nagging worries attach themselves clearly enough to the Maggie who pushes Lucy into the mud ...
... action . There is the sense of a restless preparation in rhetoric which does not move dynamically with events and characters . Mrs Tulliver's nagging worries attach themselves clearly enough to the Maggie who pushes Lucy into the mud ...
Page 192
... action of the dragging back . In the second passage , the action is even plainer . There is a clear statement of imaginative pressure and shaping . There is the important recognition that imagination must work on the external materials ...
... action of the dragging back . In the second passage , the action is even plainer . There is a clear statement of imaginative pressure and shaping . There is the important recognition that imagination must work on the external materials ...
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Common terms and phrases
action acts Adam affective analysis appearance appropriate artist become beginning bring Casaubon Chapter character close comes complete concerned consciousness continuity creates crisis criticism Daniel dark death Deronda detail Dorothea dream emotional environment essays example expected experience explicit expressive fantasy feeling fiction Floss fully George Eliot give going hand human imagery imagination implications important individual instance interest kind Ladislaw later less letter light living look Lydgate Maggie marriage masculine meaning Middlemarch Mill mind moral move movement narrative narrator nature never novel novelist objects observes particular passion past perhaps possible present psychological question reader reading relation relationship response reticence ritual scene seems sense sexual shape shows social speak story strong suggest symbol takes tells things thought truth turn vision voice whole writing