Essays in Criticism: Second series, Volume 1 |
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... character of Mr. Arnold , even as a critic or an essayist . A preface would expand into a volume if it attempted to indicate even the materials for thought on such subjects , handled by Mr. Arnold , as Poetry , Gray , Keats , Shelley ...
... character of Mr. Arnold , even as a critic or an essayist . A preface would expand into a volume if it attempted to indicate even the materials for thought on such subjects , handled by Mr. Arnold , as Poetry , Gray , Keats , Shelley ...
Page 10
... character . If he is a dubious classic , let us sift him ; if he is a false classic , let us explode him . But if he is a real classic , if his work belongs to the class of the very best ( for this is the true and right meaning of the ...
... character . If he is a dubious classic , let us sift him ; if he is a false classic , let us explode him . But if he is a real classic , if his work belongs to the class of the very best ( for this is the true and right meaning of the ...
Page 20
... characters of a high quality of poetry . It is much better simply to have recourse to concrete examples ; —to take specimens of poetry of the high , the very highest quality , and to say : The characters of a high quality of poetry are ...
... characters of a high quality of poetry . It is much better simply to have recourse to concrete examples ; —to take specimens of poetry of the high , the very highest quality , and to say : The characters of a high quality of poetry are ...
Page 21
... character from possessing , in an eminent degree , truth and seriousness . We may add yet further . 180 ✓17 I 1914 Think And's trunt 22 22 Fruth seriousness Diction Movement ESSAYS IN CRITICISM I I 17 THE STUDY OF POETRY 21.
... character from possessing , in an eminent degree , truth and seriousness . We may add yet further . 180 ✓17 I 1914 Think And's trunt 22 22 Fruth seriousness Diction Movement ESSAYS IN CRITICISM I I 17 THE STUDY OF POETRY 21.
Page 22
... character , their accent , is given by their diction , and , even yet more , by their movement . And though we distinguish between the two characters , the two accents , of superiority , yet they are nevertheless vitally connected one ...
... character , their accent , is given by their diction , and , even yet more , by their movement . And though we distinguish between the two characters , the two accents , of superiority , yet they are nevertheless vitally connected one ...
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Common terms and phrases
admirers Amiel Amiel's Journal Anna Karénine beauty Burns Byron called century character charm Chaucer classic Count Tolstoi criticism diction Dryden English poetry English poets excellence Fanny Brawne faults feel France French genius gift give glory Godwin Goethe Gray Gray's happiness Harriet Harriet Westbrook Hogg honour Jesus Johnny Keats judgment Keats kind Kitty language Leopardi letters Levine Levine's literary literature living Lord Byron Lord Macaulay Madame Bovary manner Mary matter Milton mind Molière moral ideas nation nature never novel passage passion Paul Bourget Pembroke Hall perhaps poems poet poet's poetic truth praise produced Professor Dowden prose real estimate recognise religion Sainte-Beuve Scherer Scotch sense seriousness Shakespeare Shelley Shelley's sincerity sort soul speak spirit Stiva superiority tells things thought tion true verse virtue Voltaire volume whole words Wordsworth Wordsworth's poetry Wordsworthian writes Wronsky wrote
Popular passages
Page 47 - Tho' they may gang a kennin wrang, To step aside is human : One point must still be greatly dark, The moving Why they do it ; And just as lamely can ye mark, How far perhaps they rue it. Who made the heart, 'tis He alone Decidedly can try us, He knows each chord its various tone, Each spring its various bias : Then at the balance let's be mute, We never can adjust it ; What's done we partly may compute, But know not what's resisted.
Page 65 - Memory and her siren daughters ; but by devout prayer to that Eternal Spirit who can enrich with all utterance and knowledge, and sends out his seraphim with the hallowed fire of his altar to touch and purify the lips of whom He pleases.
Page 200 - Were with his heart, and that was far away ; He recked not of the life he lost, nor prize ; But where his rude hut by the Danube lay, There were his young barbarians all at play, There was their Dacian mother, — he, their sire, Butchered to make a Roman holiday.
Page 49 - Had we never loved sae kindly, Had we never loved sae blindly, Never met, or never parted, We had ne'er been broken-hearted.
Page 38 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Page 191 - What, in ill thoughts again ? Men must endure Their going hence, even as their coming hither : Ripeness is all : Come on.
Page 19 - Led on the eternal Spring. Not that fair field Of Enna, where Proserpine gathering flowers, Herself a fairer flower by gloomy Dis Was gathered, which cost Ceres all that pain To seek her through the world...
Page 1 - The future of poetry is immense, because in poetry, where it is worthy of its high destinies, our race, as time goes on, will find an ever surer and surer stay.
Page 18 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deaf 'ning clamour in the slippery clouds, That, with the hurly, death itself awakes?
Page 156 - To hoarse or mute, though fall'n on evil days, On evil days though fall'n, and evil tongues...