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LORENZO, in love with Jessica

SHYLOCK, a Jew.

TUBAL, a Jew, his friend.

LAUNCELOT GOBBO, a clown, servant to Shylock

OLD GOBBO, father to Launcelot.

SALERIO, a messenger from Venice.

LEONARDO, servant to Bassanio.

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PORTIA, a rich heiress.

NERISSA, her waiting-maid.

JESSICA, daughter to Shylock.

Magnificoes of Venice, Officers of the court of justice, Jailer. Servants, and other Attendants.

SCENE, partly at Venice, and partly at Belmont, the seat of Portia, on the continent.

MERCHANT OF VENICE

ACT I.

SCENE I.

Venice. A street.

Enter ANTONIO, SALARINO, and SALANIO.

Ant. In sooth, I know not why I am so sad:
It wearies me; you say, it wearies you;
But how I caught it, found it, or came by it,
What stuff 'tis made of, whereof it is born,
I am to learn;

And such a want-wit sadness makes of me,
That I have much ado to know myself.

Salar. Your mind is tossing on the ocean;
There, where your argosies 1 with portly sail,-
Like signiors and rich burghers on the flood,
Or, as it were the pageants of the sea,-

Do overpeer the petty traffickers,

That curtsy to them, do them reverence,

As they fly by them with their woven wings.

Ships of large burden.

Salan. Believe me, sir, had I such venture forth, The better part of my affections would

Be with my hopes abroad. I should be still
Plucking the grass, to know where sits the wind;
Peering in maps, for ports, and piers, and roads :
And every object, that might make me fear
Misfortune to my ventures, out of doubt,
Would make me sad.

Salar.

My wind, cooling my broth,
Would blow me to an ague, when I thought
What harm a wind too great might do at sea.
I should not see the sandy hour-glass run,
But I should think of shallows and of flats;
And see my wealthy Andrew dock'd in sand,
Vailing 1 her high-top lower than her ribs,
To kiss her burial. Should I go to church,
And see the holy edifice of stone,

And not bethink me straight of dangerous rocks;
Which, touching but my gentle vessel's side,
Would scatter all her spices on the stream;
Enrobe the roaring waters with my silks;
And, in a word, but even now worth this,

And now worth nothing? Shall I have the thought
To think on this; and shall I lack the thought,
That such a thing, bechanced, would make me sad?
But, tell not me; I know, Antonio

Is sad to think upon his merchandise.

Ant. Believe me, no: I thank my fortune for it,

1 Lowering.

My ventures are not in one bottom trusted,
Nor to one place; nor is my whole estate
Upon the fortune of this present year:

Therefore my merchandise makes me not sad.
Salan. Why then you are in love.

Ant.

Salan. Not in love neither?

are sad,

Fie, fie!

Then let's say, yon

Because you are not merry; and 'twere as easy
For you, to laugh, and leap, and say you are merry,
Because you are not sad. Now, by two-headed

Janus,

Nature hath framed strange fellows in her time: Some, that will evermore peep through their eyes, And laugh, like parrots, at a bagpiper;

And other of such vinegar aspect,

That they'll not show their teeth in way of smile, Though Nestor swear the jest be laughable.

Enter BASSANIO, LORENZO, and GRATIANO.

Salan. Here comes Bassanio, your most noble kinsman,

Gratiano, and Lorenzo. Fare you well:

We leave you now with better company.
Salar. I would have stay'd till I had made you

merry,

If worthier friends had not prevented me.
Ant. Your worth is very dear in my regard.
I take it, your own business calls on you,
And you embrace the occasion to depart.

Salar. Good morrow, my good lords.

Bas. Good signiors both, when shall we laugh? Say, when?

You grow exceeding strange. Must it be so?

Salar. We'll make our leisures to attend on [Exeunt Salarino and Salanio. Lor. My lord Bassanio, since you have found An

yours.

tonio,

We two will leave you; but, at dinner-time

pray you, have in mind where we must meet. Bas. I will not fail you.

Gra. You look not well, signior Antonio : You have too much respect upon the world: They lose it, that do buy it with much care. Believe me, you are marvellously changed.

Ant. I hold the world but as the world, Gratiano;

A stage, where every man must play a part,
And mine a sad one.

Gra.

Let me play the fool:

With mirth and laughter let old wrinkles come:
And let my liver rather heat with wine,
Than my heart cool with mortifying groans.
Why should a man, whose blood is warm within,
Sit like his grandsire cut in alabaster ?
Sleep when he wakes; and creep into the jaundice
By being peevish? I tell thee what, Antonio,-
I love thee, and it is my love that speaks.-
There are a sort of men, whose visages
Do cream and mantle, like a standing pond;

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